Opera and Modern Spectatorship in Late Nineteenth-Century Italy
eBook - PDF

Opera and Modern Spectatorship in Late Nineteenth-Century Italy

  1. English
  2. PDF
  3. Available on iOS & Android
eBook - PDF

Opera and Modern Spectatorship in Late Nineteenth-Century Italy

About this book

At the turn of the twentieth century Italian opera participated to the making of a modern spectator. The Ricordi stage manuals testify to the need to harness the effects of operatic performance, activating opera's capacity to cultivate a public. This book considers how four operas and one film deal with their public: one that in Boito's Mefistofele is entertained by special effects, or that in Verdi's Simon Boccanegra is called upon as a political body to confront the specters of history. Also a public that in Verdi's Otello is subjected to the manipulation of contemporary acting, or one that in Puccini's Manon Lescaut is urged to question the mechanism of spectatorship. Lastly, the silent film Rapsodia satanica, thanks to the craft and prestige of Pietro Mascagni's score, attempts to transform the new industrial medium into art, addressing its public's search for a bourgeois pan-European cultural identity, right at the outset of the First World War.

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Yes, you can access Opera and Modern Spectatorship in Late Nineteenth-Century Italy by Alessandra Campana in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Opera Music. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover
  2. Half-title page
  3. Series page
  4. Title page
  5. Copyright page
  6. Dedication
  7. Contents
  8. Figures
  9. Music Examples
  10. Preface and Acknowledgments
  11. 1 Staging manuals and the public
  12. 2 The “fleeting moment”: Arrigo Boito’s Mefistofele
  13. 3 Milan 1881: Simon Boccanegra and the specters of history
  14. 4 Acting in Otello: On the rhetoric of the medium
  15. 5 The real of opera: Puccini’s Manon Lescaut
  16. 6 Faust again: The silent film Rapsodia satanica and Mascagni’s score
  17. Postlude
  18. Select Bibliography
  19. Index