- 282 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
Viewing Inscriptions in the Late Antique and Medieval World
About this book
Inscriptions convey meaning not just by their contents but also by other means, such as choice of script, location, scale, spatial organisation, letterform, legibility and clarity. The essays in this book consider these visual qualities of inscriptions, ranging across the Mediterranean and the Near East from Spain to Iran and beyond, including Norman Sicily, Islamic North Africa, Byzantium, medieval Italy, Georgia and Armenia. While most essays focus on Late Antiquity and the Middle Ages, they also look back at Achaemenid Iran and forward to Mughal India. Topics discussed include real and pseudo-writing, multilingual inscriptions, graffiti, writing disguised as images and images disguised as words. From public texts set up on mountainsides or on church and madrasa walls to intimate craftsmen's signatures, barely visible on the undersides of precious objects, the inscriptions discussed in this volume reveal their meanings as textual and visual devices.
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Information
Topic
ArtSubtopic
History of Ancient ArtTable of contents
- Cover
- Half title
- Title
- Copyright
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Introduction: Viewing Inscriptions
- One. Inscriptions, Royal Spaces and Iranian Identity: Epigraphic Practices in Persia and the Ancient Iranian World
- Two. Prayers on Site: The Materiality of Devotional Graffiti and the Production of Early Christian Sacred Space
- Three. Erasure and Memory: Aghlabid and Fatimid Inscriptions in North Africa
- Four. Textual Icons: Viewing Inscriptions in Medieval Georgia
- Five. Pseudo-Arabic 'Inscriptions' and the Pilgrim's Path at Hosios Loukas
- Six. Arabic Inscriptions in the Cappella Palatina: Performativity, Audience, Legibility and Illegibility
- Seven. Intercession and Succession, Enlightenment and Reflection: The Inscriptional and Decorative Programme of the Qaratay Madrasa, Konya
- Eight. Remembering Fernando: Multilingualism in Medieval Iberia
- Nine. Displaying the Word: Words as Visual Signs in the Armenian Architectural Decoration of the Monastery of Noravank` (14th century)
- Ten. Written in Stone: Civic Memory and Monumental Writing in the Cathedral of San Lorenzo in Genoa
- Eleven. Place, Space and Style: Craftsmen's Signatures in Medieval Islamic Art
- Afterword: Re-Viewing Inscriptions
- Index
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Yes, you can access Viewing Inscriptions in the Late Antique and Medieval World by Antony Eastmond in PDF and/or ePUB format, as well as other popular books in Art & History of Ancient Art. We have over 1.5 million books available in our catalogue for you to explore.