
- English
- PDF
- Available on iOS & Android
About this book
Few now remember that the guitar was popular in England during the age of Queen Elizabeth and Shakespeare, and yet it was played everywhere from the royal court to the common tavern. This groundbreaking book, the first entirely devoted to the renaissance guitar in England, deploys new literary and archival material, together with depictions in contemporary art, to explore the social and musical world of the four-course guitar among courtiers, government servants and gentlemen. Christopher Page reconstructs the trade in imported guitars coming to the wharves of London, and pieces together the printed tutor for the instrument (probably of 1569) which ranks as the only method book for the guitar to survive from the sixteenth century. Two chapters discuss the remains of music for the instrument in tablature, both the instrumental repertoire and the traditions of accompanied song, which must often be assembled from scattered fragments of information.
Frequently asked questions
- Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
- Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Information
Table of contents
- Cover
- Half-title page
- Series page
- Title page
- Copyright page
- Epigraph
- Contents
- Figures
- Tables
- Music examples
- Acknowledgments
- Abbreviations
- Introduction
- Chapter 1 Imagery
- Chapter 2 Who owned a gittern?
- Chapter 3 The gittern trade
- Chapter 4 āAn instruction to the Gitterneā
- Chapter 5 Sounding strings
- Chapter 6 The gittern and Tudor song
- Chapter 7 Thomas Whythorne: the autobiography of a Tudor guitarist
- Conclusion
- Appendix A The terms āgitternā and ācitternā
- Appendix B References to gitterns from 1542 to 1605
- Appendix C The probate inventory of Dennys Bucke (1584)
- Appendix D Octave strings on the fourth and third course
- Appendix E The fiddle tunings of Jerome of Moravia, swept strings and the guitar
- Appendix F The mandore and the wireĀ-strungĀ gittern
- Appendix G The ethos of the guitar in sixteenth-century France
- Appendix H Raphe Bowle
- Bibliography
- Index