French Visual Culture and the Making of Medieval Theater
eBook - PDF

French Visual Culture and the Making of Medieval Theater

  1. 320 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

French Visual Culture and the Making of Medieval Theater

About this book

This book revives what was unique, strange and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Laura Weigert brings together a wealth of visual artifacts and practices to explore this tradition of late medieval performance located not in 'theaters' but in churches, courts, and city streets and squares. By stressing the theatricality rather than the realism of fifteenth-century visual culture and the spectacular rather than the devotional nature of its effects, she offers a new way of thinking about late medieval representation and spectatorship. She shows how images that ostensibly document medieval performance instead revise its characteristic features to conform to a playgoing experience that was associated with classical antiquity. This retrospective vision of the late medieval performance tradition contributed to its demise in sixteenth-century France and promoted assumptions about medieval theater that continue to inform the contemporary disciplines of art and theater history.

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Information

Year
2015
Print ISBN
9781107040472
eBook ISBN
9781316413159

Table of contents

  1. Cover
  2. Half-title
  3. Title page
  4. Copyright information
  5. Dedication
  6. Table of contents
  7. List of Illustrations
  8. Acknowledgments
  9. Introduction: from Theatricality to Theater
  10. Chapter One ‘‘Vocamus personagias’’: The Enlivened Figures of Ephemeral Stagings
  11. Chapter Two ‘‘Ouvrez vos yeux et regardez’’: Illuminated Passion Plays and the Commemoration of Performance
  12. Chapter Three ‘‘Faire semblant’’: Make-Believe and the Experience of Heroic Battles
  13. Chapter Four ‘‘Cy s’ensuit le mystère’’: Creating a Spectator and a Reader of French Plays
  14. Chapter Five ‘‘C’était qu’un jeu industrieux’’: Artifice and Authenticity in the Devil’s Play
  15. Conclusion: Mysterious Ends, 1548-1577
  16. Notes
  17. Bibliography
  18. Index
  19. Color plates

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