The Image of the Artist in Archaic and Classical Greece
eBook - PDF

The Image of the Artist in Archaic and Classical Greece

Art, Poetry, and Subjectivity

  1. English
  2. PDF
  3. Available on iOS & Android
eBook - PDF

The Image of the Artist in Archaic and Classical Greece

Art, Poetry, and Subjectivity

About this book

This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, and sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece.

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Yes, you can access The Image of the Artist in Archaic and Classical Greece by Guy Hedreen in PDF and/or ePUB format, as well as other popular books in Kunst & Kunstgeschichte der Antike. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover
  2. Half-title
  3. Title page
  4. Copyright information
  5. Dedication
  6. Table of contents
  7. List of Illustrations
  8. Preface
  9. Introduction: ‘‘I Am Odysseus’’
  10. Chapter One Smikros and Euphronios: Pictorial alter ego
  11. Chapter Two Archilochos, the Fictional Creator-Protagonist, and Odysseus
  12. Chapter Three Hipponax and His Make-Believe Artists
  13. Chapter Four Hephaistos in Epic: Analog of Odysseus and Antithesis to Thersites
  14. Chapter Five Pictorial Subjectivity and the Shield of Achilles on the François Vase
  15. Chapter Six Frontality, Self-reference, and Social Hierarchy:
  16. Chapter Seven Writing and Invention in the Vase-Painting of Euphronios and His Circle
  17. Epilogue: Persuasion, Deception, and Artistry
  18. Notes
  19. References
  20. Index
  21. Color plates