
Technology and the Diva
Sopranos, Opera, and Media from Romanticism to the Digital Age
- English
- PDF
- Available on iOS & Android
About this book
In Technology and the Diva, Karen Henson brings together an interdisciplinary group of scholars to explore the neglected subject of opera and technology. Their essays focus on the operatic soprano and her relationships with technology from the heyday of Romanticism in the 1820s and 1830s to the twenty-first-century digital age. The authors pay particular attention to the soprano in her larger than life form, as the 'diva', and they consider how her voice and allure have been created by technologies and media including stagecraft and theatrical lighting, journalism, the telephone, sound recording, and visual media from the painted portrait to the high definition simulcast. In doing so, the authors experiment with new approaches to the female singer, to opera in the modern - and post-modern - eras, and to the often controversial subject of opera's involvement with technology and technological innovation.
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Information
Table of contents
- Cover
- Half title
- Series
- Title
- Copyright
- Dedication
- Contents
- List of Illustrations
- List of Musical Examples
- Contributors
- Acknowledgements
- A Chronology
- Introduction: Of Modern Operatic Mythologies and Technologies
- 1 Mythologies of the Diva in Nineteenth-Century French Theater
- 2 Coloratura and Technology in the Mid Nineteenth-Century Mad Scene
- 3 Photographic Diva: Massenetâs Relationship with the Soprano Sibyl Sanderson
- 4 âPretending to Be Wickedâ: Divas, Technology, and the Consumption of Bizetâs Carmen
- 5 The Silent Diva: Farrarâs Carmen
- 6 The Domestic Diva: Toward an Operatic History of the Telephone
- 7 The Absent Diva: Notes Toward a Life of Cathy Berberian
- 8 The Televisual Apotheosis of the Diva in IstvĂĄn SzabĂłâs Meeting Venus
- 9 Diva Poses by Anna Netrebko: On the Perception of the Extraordinary in the Twenty-First Century
- Afterword: Opera, Media, Technicity
- Notes
- Bibliography
- Index