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Nineteenth-Century Literature in Transition: The 1880s
About this book
What does it mean to focus on the decade as a unit of literary history? Emerging from the shadows of iconic Victorian authors such as Eliot and Tennyson, the 1880s is a decade that has been too readily overlooked in the rush to embrace end-of-century decadence and aestheticism. The 1880s witnessed new developments in transatlantic networks, experiments in lyric poetry, the decline of the three-volume novel, and the revaluation of authors, journalists and the reading public. The contributors to this collection explore the case for the 1880s as both a discrete point of literary production, with its own pressures and provocations, and as part of literature's sense of its expanded temporal and geographical reach. The essays address a wide variety of authors, topics and genres, offering incisive readings of the diverse forces at work in the shaping of the literary 1880s.
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Table of contents
- Cover
- Half-title page
- Series page
- Title page
- Copyright page
- Contents
- List of Figures
- List of Contributors
- Acknowledgments
- Introduction: ‘Knowledge Made for Cutting’
- Chapter 1 Mermaids Amongst the Cables: The Abstracted Body and the Telegraphic Touch in the Nineteenth Century
- Chapter 2 Enclosing Forms, Opening Spaces: The 1880s Fixed-Verse Revival
- Chapter 3 ‘The Newest Culte’: Victorian Poetry and the Literary Societies of the 1880s
- Chapter 4 The Time of W. E. Henley: ‘Minor Poetry’ and the 1880s
- Chapter 5 The Evolution of Point of View
- Chapter 6 Network, History, Method: Andrew Lang in and after the 1880s
- Chapter 7 Animated Conversations: Form, Transformation and the Category of the Novel in the 1880s
- Chapter 8 Henry James, Vulgarity and Transatlantic Moderation
- Chapter 9 He and She: The 1880s, Camp Aesthetics and the Literary Magazine
- Chapter 10 Men, Women and Horses: Public Spectacle in 1887
- Chapter 11 The Secular Turn in British Literature of the 1880s
- Index