Popular Opera in Eighteenth-Century France
eBook - PDF

Popular Opera in Eighteenth-Century France

Music and Entertainment before the Revolution

  1. English
  2. PDF
  3. Available on iOS & Android
eBook - PDF

Popular Opera in Eighteenth-Century France

Music and Entertainment before the Revolution

About this book

This is the first book for a century to explore the development of French opera with spoken dialogue from its beginnings. Musical comedy in this form came in different styles and formed a distinct genre of opera, whose history has been obscured by neglect. Its songs were performed in private homes, where operas themselves were also given. The subject-matter was far wider in scope than is normally thought, with news stories and political themes finding their way onto the popular stage. In this book, David Charlton describes the comedic and musical nature of eighteenth-century popular French opera, considering topics such as Gherardi's theatre, Fair Theatre and the 'musico-dramatic art' created in the mid-eighteenth century. Performance practices, singers, audience experiences and theatre staging are included, as well as a pioneering account of the formation of a core of 'canonical' popular works.

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Yes, you can access Popular Opera in Eighteenth-Century France by David Charlton in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Opera Music. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover
  2. Half-title page
  3. Title page
  4. Copyright page
  5. Dedication
  6. Contents
  7. List of Illustrations
  8. List of Tables
  9. List of Examples
  10. Preface
  11. Acknowledgements
  12. Notes on the Text
  13. List of Abbreviations
  14. 1 Introduction
  15. 2 Music and Spoken Theatre
  16. 3 Music in Gherardi’s Company
  17. 4 Singing and Acting at Home
  18. 5 OpƩra-comique en vaudevilles
  19. 6 Experiences of Popular Theatre
  20. 7 Comic and Serious Themes
  21. 8 Performance as History
  22. 9 Musical Expansion
  23. 10 Italian Inroads: The King’s Company
  24. 11 Six Methods of Synthesis
  25. 12 A ā€˜Musico-Dramatic Art’
  26. 13 Conclusions
  27. Stage Works Cited
  28. Bibliography
  29. Index