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The Intellectual Education of the Italian Renaissance Artist
About this book
Scholars have traditionally viewed the Italian Renaissance artist as a gifted, but poorly educated craftsman whose complex and demanding works were created with the assistance of a more educated advisor.These assumptions are, in part, based on research that has focused primarily on the artist's social rank and workshop training.In this volume, Angela Dressen explores the range of educational opportunities that were available to the Italian Renaissance artist. Considering artistic formation within the history of education, Dressen focuses on the training of highly skilled, average artists, revealing a general level of learning that was much more substantial than has been assumed. She emphasizes the role of mediators who had a particular interest in augmenting artists' knowledge, and highlights how artists used Latin and vernacular texts to gain additional knowledge that they avidly sought. Dressen's volume brings new insights into a topic at the intersection of early modern intellectual, educational, and art history.
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Information
Table of contents
- Cover
- Half-title
- Title page
- Copyright information
- Contents
- List of Illustrations
- Preface
- Introduction
- One Mechanical Arts versus Liberal Arts and Recommendations for the Artist's Education
- Two Educational Places and Opportunities
- Three The Mediating Texts
- Four Vitruvius and Pliny as Sourcebooks, Educational Landmarks, and Intellectual Challenge
- Conclusion
- Appendix A Printed Editions as Editio Princeps and Shortly after, Divided by Editions, Translations, and Commentaries
- Appendix B Oral Lessons in Private and Public Environments
- Selected Bibliography
- Index