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Framing the Holocaust
About this book
In December 1941, German police and their local collaborators shot 2,749 Jews at the beach in Š??de, near Liep?ja, Latvia. Twelve photographs were taken at the scene. These now-infamous images show people in extreme distress, sometimes without clothing. Some capture the very moments when women and children confronted their imminent deaths, while others show their dead bodies. They are nearly unbearable to look at—so why should we? Framing the Holocaust offers a multidimensional response to this question.
While photographs are central to our memory of modern historical events, they often inhabit an ambivalent intellectual space. What separates the sincere desire to understand from voyeuristic curiosity? Comprehending atrocity photographs requires viewers to place themselves in the very positions of the perpetrators who took the images. When we engage with these photographs, do we risk replicating the original violence? In this tightly organized book, scholars of history, photography, language, gender, photojournalism, and pedagogy examine the images of the Š??de atrocity along with other difficult images, giving historical, political, and ethical depth to the acts of looking and interpreting.
With a foreword by Edward Anders, who narrowly escaped the December 1941 shooting, Framing the Holocaust represents an original approach to an iconic series of Holocaust photographs. This book will contribute to compelling debates in the emerging field of visual history, including the challenges and responsibilities of using photographs to teach about atrocity.
While photographs are central to our memory of modern historical events, they often inhabit an ambivalent intellectual space. What separates the sincere desire to understand from voyeuristic curiosity? Comprehending atrocity photographs requires viewers to place themselves in the very positions of the perpetrators who took the images. When we engage with these photographs, do we risk replicating the original violence? In this tightly organized book, scholars of history, photography, language, gender, photojournalism, and pedagogy examine the images of the Š??de atrocity along with other difficult images, giving historical, political, and ethical depth to the acts of looking and interpreting.
With a foreword by Edward Anders, who narrowly escaped the December 1941 shooting, Framing the Holocaust represents an original approach to an iconic series of Holocaust photographs. This book will contribute to compelling debates in the emerging field of visual history, including the challenges and responsibilities of using photographs to teach about atrocity.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Framing the Holocaust by Valerie Hébert in PDF and/or ePUB format, as well as other popular books in History & Holocaust History. We have over one million books available in our catalogue for you to explore.
Information
Publisher
University of Wisconsin PressYear
2023Print ISBN
9780299344146, 9780299344108eBook ISBN
9780299344139Table of contents
- Contents
- Foreword
- Acknowledgments
- Abbreviations
- Introduction
- The Twelve Photographs
- Chapter 1: “Not to Tiptoe Away inthe Face of Suffering”
- Chapter 2: The Mystery of an Iconic Photograph
- Chapter 3: Reading against the Gaze
- Chapter 4: Ordinary Acts, Extraordinary Crimes
- Chapter 5: Describing Atrocity
- Chapter 6: A Day at the Beach
- Chapter 7: (Re)framing Gender
- Chapter 8: A Pedagogy of Witnessing
- Contributors
- Index