- 354 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
About this book
Through its focus on audiences and their reception of media in Nazi Germany, Audiences of Nazism inverts the typical top-down perspective employed in studies that concentrate on the regime's regulation of media and propaganda. It thereby sheds new light on the complex character of the period's media, their uses, and the scope for audience interpretation. Contributors investigate how consumers either appropriated or ignored certain messages of Nazi propaganda, and how some even participated in its production. The authors ground their studies on novel historical sources, including private diaries and letters, photographs and films, and concert programs, which demonstrate, amongst other things, how audiences interpreted and responded to regulated news, Nazi Party rallies, and the regime's denunciation of modern works of art as 'degenerate.'
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Yes, you can access Audiences of Nazism by Ulrike Weckel in PDF and/or ePUB format, as well as other popular books in History & 20th Century History. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Title Page
- Copyright Page
- Contents
- List of Figures
- Acknowledgments
- Introduction. Media and Their Users in Nazi Germany
- 1. âTo Constantly Swim against the Tide Is Suicideâ: The Liberal Press and Its Audience, 1928â33
- 2. Active Audiences: StĂŒrmerkĂ€sten and the Rise of Der StĂŒrmerâs Activist Readership
- 3. Reading Fake News: The âRöhm Putsch,â the Hitler Myth, and the Consumption of Political News under the Nazis
- 4. Beyond Approved Reactions: Assessments of the NSDAPâs Nuremberg Party Rallies in Diaries and Letters, 1933â38
- 5. Call and Response: The Creation of the National Socialist Public
- 6. Advertising and Its Audiences in Weimar and Nazi Germany
- 7. Concert Programs, Ideology, and the Search for Subjectivity in National Socialist Germany
- 8. The âEntartete Kunstâ Exhibitions and Their Audiences
- 9. Amateur Films from National Socialist Austria as Visual Responses to Nazi Propaganda
- 10. The Media of Occupation: German Books and Photographs in France, 1940â44
- 11. The Migration of Topoi from Atrocity Films to Their Heirs: Modes of Addressing the Audience in German Postwar Cinema
- 12. Finding an Unintended Audience: An SS Photo Album and Its Postwar Editions
- Postscript
- Index