In Inkface, Miles P. Grier traces productions of Shakespeare's Othello from seventeenth-century London to the Metropolitan Opera in twenty-first-century New York. Grier shows how the painted stage Moor and the wife whom he theatrically stains became necessary types, reduced to objects of interpretation for a presumed white male audience. In an era of booming print production, popular urban theater, and increasing rates of literacy, the metaphor of Black skin as a readable, transferable ink became essential to a fraternity of literate white men who, by treating an elastic category of marked people as reading material, were able to assert authority over interpretation and, by extension, over the state, the family, and commerce. Inkface examines that fraternity's reading of the world as well as the ways in which those excluded attempted to counteract it.

- 328 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
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Table of contents
- Cover
- Title Page
- Copyright Page
- Contents
- Acknowledgments
- Author’s Note
- Introduction: The Residue of Inkface
- Part I. The Moor of Venice Reconstructed
- Part II. Women on the Verge of Whiteness
- Part III. Crises of White Interpretive Fraternity
- Notes
- Bibliography
- Index
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Yes, you can access Inkface by Miles P. Grier in PDF and/or ePUB format, as well as other popular books in Literature & North American Literary Criticism. We have over 1.5 million books available in our catalogue for you to explore.