
- 293 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Horace's Odes have a surface translucency that belies their rhetorical sophistication. Gregson Davis brings together recent trends in the study of Augustan poetry and critical theory and deftly applies them to individual poems. Exploring four rhetorical strategiesāwhat he calls modes of assimilation, authentication, consolation, and praise and dispraiseāDavis produces enlightening, new interpretations of this classic work. Polyhymnia, named after one of the Muses invoked in Horace's opening poem, revises the common image of Horace as a complacent, uncomplicated, and basically superficial singer. Focusing on the artistic personaāthe lyric "self" that is constituted in the textāDavis explores how the lyric speaker constructs subtle "arguments" whose building-blocks are topoi, recurrent motifs, and generic conventions. By examining the substructure of lyric argument in groupings of poems sharing similar strategies, the author discloses the major principles that inform Horatian lyric composition.
Horace's Odes have a surface translucency that belies their rhetorical sophistication. Gregson Davis brings together recent trends in the study of Augustan poetry and critical theory and deftly applies them to individual poems. Exploring four rheto
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Information
Table of contents
- Cover
- Title
- Copyright
- Contents
- Preface
- Abbreviations
- Prologue
- 1 Modes of Assimilation
- 2 Modes of Authentication
- 3 Modes of Consolation: Convivium and carpe diem
- 4 Modes of Praise and Dispraise
- Epilogue
- Notes
- References
- General Index
- Index of Passages Cited