- 414 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
About this book
As never before or since, Richard Wagner's name dominated American music-making at the close of the nineteenth century. Europe, too, was obsessed with Wagner, but—as Joseph Horowitz shows in this first history of Wagnerism in the United States—the American obsession was unique.
The central figure in Wagner Nights is conductor Anton Seidl (1850-1898), a priestly and enigmatic personage in New York musical life. Seidl's own admirers included the women of the Brooklyn-based Seidl Society, who wore the letter "S" on their dresses. In the summers, Seidl conducted fourteen times a week at Brighton Beach, filling the three-thousand-seat music pavilion to capacity. The fact that most Wagnerites were women was a distinguishing feature of American Wagnerism and constituted a vital aspect of the fin-de-siècle ferment that anticipated the New American Woman.
Drawing on the work of such cultural historians as T. Jackson Lears and Lawrence Levine, Horowitz's lively history reveals an "Americanized" Wagner never documented before. An entertaining and startling read, a treasury of operatic lore, Wagner Nights offers an unprecedented revisionist history of American culture a century ago.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
The central figure in Wagner Nights is conductor Anton Seidl (1850-1898), a priestly and enigmatic personage in New York musical life. Seidl's own admirers included the women of the Brooklyn-based Seidl Society, who wore the letter "S" on their dresses. In the summers, Seidl conducted fourteen times a week at Brighton Beach, filling the three-thousand-seat music pavilion to capacity. The fact that most Wagnerites were women was a distinguishing feature of American Wagnerism and constituted a vital aspect of the fin-de-siècle ferment that anticipated the New American Woman.
Drawing on the work of such cultural historians as T. Jackson Lears and Lawrence Levine, Horowitz's lively history reveals an "Americanized" Wagner never documented before. An entertaining and startling read, a treasury of operatic lore, Wagner Nights offers an unprecedented revisionist history of American culture a century ago.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Wagner Nights by Joseph Horowitz in PDF and/or ePUB format, as well as other popular books in Medios de comunicación y artes escénicas & Biografías musicales. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Title
- Copyright
- CONTENTS
- ILLUSTRATIONS
- ACKNOWLEDGMENTS
- INTRODUCTION WAGNERISM AND AMERICA
- Prelude A Gilded Age Funeral
- 1 The Ascendancy
- 2 The First Missionaries
- 3 The Master Builder
- 4 Germanized Opera
- 5 The Coming of the Disciple
- 6 Tristan und Isolde
- 7 Der grosse Schweiger
- 8 Der Ring des Nibelungen
- 9 Partial Eclipse
- 10 The Parsifal Entertainment
- 11 Wagner Nights
- 12 Protofeminism
- 13 Trauermusik
- 14 Parsifal Revisited
- 15 Enter Modernism
- 16 Secularization
- POSTLUDE The Gilded Age Reobserved
- APPENDIX THE WAGNER OPERAS: SYNOPSES AND PREMIERES
- NOTES
- INDEX