
- 228 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
One Reel a Week
About this book
One Reel a Week by Fred J. Balshofer and Arthur C. Miller, with the assistance of Bebe Bergsten, offers an unparalleled firsthand chronicle of the formative years of American cinema. Balshofer, a pioneering producer-director, and Miller, who rose from lab assistant to Academy Award–winning cinematographer, weave together their personal narratives to reconstruct the struggles and triumphs of early filmmaking. From duplicating French films in basement labs to evading Edison’s patent detectives, from establishing Crescent and Bison pictures to filming in Fort Lee, New Jersey, and later Los Angeles, their story captures the precarious blend of innovation, risk, and sheer audacity that gave birth to a new art form.
Written alternately by Balshofer and Miller, One Reel a Week delivers both technical detail and vivid anecdotes, charting the industry’s evolution from nickelodeons to major studios. Readers encounter Edwin S. Porter, Cecil B. DeMille, John Ford, and Mack Sennett, as well as the development of equipment, locations, and production practices that defined the silent era. With Kemp R. Niver’s foreword situating the memoirs in broader film history, the book serves as both a documentary record and a human story of ambition and adaptation. It is an essential resource for film historians and enthusiasts seeking an insider’s perspective on how a fledgling novelty became a cornerstone of modern culture.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.
Written alternately by Balshofer and Miller, One Reel a Week delivers both technical detail and vivid anecdotes, charting the industry’s evolution from nickelodeons to major studios. Readers encounter Edwin S. Porter, Cecil B. DeMille, John Ford, and Mack Sennett, as well as the development of equipment, locations, and production practices that defined the silent era. With Kemp R. Niver’s foreword situating the memoirs in broader film history, the book serves as both a documentary record and a human story of ambition and adaptation. It is an essential resource for film historians and enthusiasts seeking an insider’s perspective on how a fledgling novelty became a cornerstone of modern culture.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.
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Yes, you can access One Reel a Week by Fred J. Balshofer,Arthur C. Miller in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film Direction & Production. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Title
- Copyright
- Contents
- Chapter 1 EARLY CAREER WITH SHIELDS, LUBIN, AND OTHERS
- Chapter 2 THE EARLY FILM COMPANIES CRESCENT AND BISON
- Chapter 3 MAKING THE TRUE HEART OF AN INDIAN
- Chapter 4 PATENTS COMPANY TROUBLES AND THE I DECISION TO MOVE WEST
- Chapter 5 WORKING FOR EDWIN S. PORTER
- Chapter 6 FLIMING IN THE WEST
- CHAPTER 7 WITH THE PATHE NEWS WEEKLY
- Chapter 8 THE KEYSTONE FILM COMPANY AND RIVALRY AMONG THE COMPANIES
- Chapter 9 • THE PERILS OF PAULINE
- Chapter 10 THE STERLING FILM COMPANY AND ACTOR TROUBLES
- CHAPTER 11 WORKING FOR GEORGE FITZMAURICE
- Chapter 12 THE YORKE FILM CORPORATION
- Chapter 13 FILMING MAE MURRAY, ELSIE FERGUSON RICHARD BARTHELMESS, AND OTHERS
- Chapter 14 FILMING IN LONDON AND ROME
- Chapter 15 WITH CECIL B. DEMILLE AND JOHN FORD
- Chapter 16 LAST FILMS BEFORE RETIREMENT
- Pictorial (appendix)
- Index