
Improvising the Voice of the Ancestors
Heritage and Identity in Central Asia
- 296 pages
- English
- PDF
- Available on iOS & Android
About this book
Cultural heritage and national identity have been significant themes in debates concerning Central Asia following the dissolution of the Soviet Union, not only in academic circles, but more importantly among the general public in the newly independent Central Asian states. Inspired by insights from a popular form of traditional cultural performance in Kyrgyzstan, this book goes beyond cultural revival discourse to explore these themes from a historically informed anthropological perspective. Based on fourteen months of fieldwork and archival research in Kyrgyzstan, this historical ethnography analyses the ways in which political elite in Central Asia attempts to exercise power over its citizens through cultural production from early twentieth century to the present. Mustafa Co?kun is a cultural anthropologist whose research in oral traditions explores cultural politics of heritage and identity in Central Asia. He conducted his doctoral research as a member of the International Max Planck Research School for the Anthropology, Archaeology and History of Eurasia (IMPRS ANARCHIE).
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Information
Table of contents
- Cover
- Contents
- List of Illustrations
- Acknowledgements
- Note on Transliteration and Translation
- Abbreviations
- Chapter 1 Introduction
- Chapter 2 The Interface between the Oral and the Soviet
- Chapter 3 Improvising Socialism: Party, Poets and Patronage in the Soviet Era
- Chapter 4 Collaborative Construction of the Soviet Experience
- Chapter 5 Culture, Nation and Rituals of Rebellion in the Era of Independence
- Chapter 6 The Post-Soviet Nationality Question
- Chapter 7 From âCulture Workersâ to âPoets for Hireâ
- Chapter 8 Conclusion