
- 202 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
The Beatles and Vocal Expression
About this book
The Beatles and Vocal Expression examines popular song through the topic of paralanguage – a sub-category of nonverbal communication that addresses characteristics of speech that modify meaning and convey emotion. It responds to the general consensus regarding the limitations of Western art music notation to analyse popular song, assesses paralinguistic voice qualities giving rise to expressive tropes within and across songs, and lastly addresses gaps in existing Beatles scholarship.
Taking The Beatles' UK studio albums (1963–1970), paralinguistic voice qualities are examined in relation to concepts, characteristics, metaphors, and functions of paralanguage in vocal performance. Tropes, such as rising and falling intonation on words of woe, have historical connections to performative and conversational techniques. This interdisciplinary analysis is achieved through musicology, sound studies, applied linguistics, and cultural history. The new methodology locates paralinguistic voice qualities in recordings, identifies features, shows functions, and draws aural threads within and across popular songs.
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Information
Table of contents
- Cover
- Half Title
- Series Page
- Title Page
- Copyright Page
- Dedication
- Table of Contents
- List of Figures
- List of Analytical Examples
- Acknowledgements
- 1 Rethinking The Beatles
- 2 Before The Beatles: 1950s American Popular Song
- 3 Primary Voice Qualities: Arch Shaped Intonation
- 4 Vocal Qualifiers: Vocal Fry, Falsetto, and Head Voice
- 5 Vocal Alternants: Stop Time and Pauses in Interaction
- 6 Differentiators: Laughter and Crying in Vocal Performance
- 7 Paralanguage and Inter-Song Thematic Processes
- 8 Paralinguistic Personae and The Beatles
- Bibliography
- Index