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About this book
Theorizes an alternative form of masculinity in global literature that is less egocentric and more sustainable, both in terms of gendered and environmental power dynamics.
Contemporary novelists and filmmakers like Kazuo Ishiguro (Japanese-British), Emma Donoghue (Irish-Canadian), Michael Ondaatje (Sri Lankan-Canadian), Bong Joon-ho (South Korean) and J.M. Coetzee (South African-Australian) are emblematic of a transnational phenomenon that Robinson Murphy calls "castration desire." That is, these artists present privileged characters who nonetheless pursue their own diminishment. In promulgating through their characters a less egocentric mode of thinking and acting, these artists offer a blueprint for engendering a more other-oriented global relationality. Murphy proposes that, in addition to being an ethical prerogative, castration desire's "less is more" model of relationality would make life livable where veritable suicide is our species' otherwise potential fate. "Castration desire" thus offers an antidote to rapacious extractivism, with the ambition of instilling a sustainable model for thinking and acting on an imminently eco-apocalyptic earth.
In providing a fresh optic through which to read a diversity of text-types, Castration Desire helps define where literary criticism is now and where it is headed. Castration Desire additionally extends and develops a zeitgeist currently unfolding in critical theory. It brings Leo Bersani's concept "psychic utopia" together with Judith Butler's "radical egalitarianism," but transports their shared critique of phallic individualization into the environmental humanities. In doing so, this book builds a new framework for how gender studies intersects with environmental studies.
Contemporary novelists and filmmakers like Kazuo Ishiguro (Japanese-British), Emma Donoghue (Irish-Canadian), Michael Ondaatje (Sri Lankan-Canadian), Bong Joon-ho (South Korean) and J.M. Coetzee (South African-Australian) are emblematic of a transnational phenomenon that Robinson Murphy calls "castration desire." That is, these artists present privileged characters who nonetheless pursue their own diminishment. In promulgating through their characters a less egocentric mode of thinking and acting, these artists offer a blueprint for engendering a more other-oriented global relationality. Murphy proposes that, in addition to being an ethical prerogative, castration desire's "less is more" model of relationality would make life livable where veritable suicide is our species' otherwise potential fate. "Castration desire" thus offers an antidote to rapacious extractivism, with the ambition of instilling a sustainable model for thinking and acting on an imminently eco-apocalyptic earth.
In providing a fresh optic through which to read a diversity of text-types, Castration Desire helps define where literary criticism is now and where it is headed. Castration Desire additionally extends and develops a zeitgeist currently unfolding in critical theory. It brings Leo Bersani's concept "psychic utopia" together with Judith Butler's "radical egalitarianism," but transports their shared critique of phallic individualization into the environmental humanities. In doing so, this book builds a new framework for how gender studies intersects with environmental studies.
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Yes, you can access Castration Desire by Robinson Murphy in PDF and/or ePUB format, as well as other popular books in Literature & LGBT Literary Criticism. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Half-Title
- Dedication
- Title
- Contents
- List of Figures
- Introduction
- 1 Castrating Caravaggio, Castrating Ondaatje
- 2 Black Friday, Queer Atlantic
- 3 âPain Comes in Wavesâ: Eroding Bodies in Colm TĂłibĂnâs The Blackwater Lightship
- 4 Trans* Thinking in Irish Television and Film
- 5 Trans*planting Castration Through Ishiguroâs Never Let Me Go
- 6 âThe Roadâ Through Emma Donoghueâs Protogay Room
- 7 Bong Joon-hoâs Queer Children
- 8 Queer Child, Decolonial Child: Beasts of the Southern Wild Revisited
- Conclusion
- Acknowledgments
- Works Cited
- Index
- Copyright