
- 296 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
How do film and television makers around the world depict public housing? Why is public housing so often chosen as the backdrop for drama, horror, social critique, rebellion, violence, artistic creativity, explorations of race relations and political intrigue? Home Screens answers these questions by examining the ways in which socialized housing projects around the world are represented on screen. The volume brings together a diverse group of interdisciplinary scholars, who explore documentary and fictional portrayals of the architecture of public housing, and the communities that inhabit it, ranging from the 1950s to the present. Examining international film and media texts such as Die Architekten (1990), Swagger (2016), Cooley High (1975), Mee-Pok Man (1995), Treme (2010–2013), Mamma Roma (1962), The Pruitt-Igoe Myth (2011), and Below the Lion Rock (1972–1976), essays within this book consider public and private attitudes toward socialised housing, explaining how onscreen representations shape perceptions of these ubiquitous, often-stigmatized urban locations.
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Information
Table of contents
- Cover
- Halftitle Page
- Title Page
- Dedication Page
- Contents
- List of figures
- Contributors
- Acknowledgements
- Introduction: Public housing in global film and television Lorrie Palmer
- Part 1 Design, architecture and space
- Part 2 Spatialization of race, class and gender
- Part 3 Home screens: Public housing in serialized television drama of The Wire, Treme and Show Me a Hero
- Further viewing
- Index
- Imprint