
- 272 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Centers Cuban cinema to explore how films produced in Havana or Hollywood differently represent Black resistance to slavery.
From Havana to Hollywood examines the presence or absence of Black resistance to slavery in feature films produced in either Havana or Hollywood-including Gillo Pontecorvo's Burn!, neglected masterpieces by Cuban auteurs Tomås Gutiérrez Alea and Sergio Giral, and Steve McQueen's Oscar-winning 12 Years a Slave. Philip Kaisary argues that, with rare exceptions, the representation of Black agency in Hollywood has always been, and remains, taboo. Contrastingly, Cuban cinema foregrounds Black agency, challenging the ways in which slavery has been misremembered and misunderstood in North America and Europe. With powerful, richly theorized readings, the book shows how Cuban cinema especially recreates the past to fuel visions of liberation and asks how the medium of film might contribute to a renewal of emancipatory politics today.
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Information
Table of contents
- Cover
- Title
- Copyright
- Contents
- List of Illustrations
- Acknowledgments
- Introduction: Havana, Hollywood, and the Politics of Slave Resistance in the Cinematic Imaginary
- Chapter 1 âOur First Cry of Freedomâ: From Revolution to Liberation in Gillo Pontecorvoâs Burn!
- Chapter 2 âCinema Must Be Revolutionary in Itselfâ: Afro-Cuban Resistance, the Haitian Revolution, and Black Comedy in TomĂĄs GutiĂ©rrez Aleaâs La Ășltima cena
- Chapter 3 Sergio Giralâs âNegrometrajesâ: Subverting Sentimental Abolitionism and Reconstructing the History of Slavery
- Chapter 4 The Slave Narrative in Hollywood: Steve McQueenâs Adaptation of Solomon Northupâs Twelve Years a Slave
- Conclusion
- Notes
- Bibliography
- Index
- Back Cover