The Actor and the Space

Declan Donnellan

• Publisher: Nick Hern Books
• Year: 2024
• Print ISBN: 9781839043000
• eBook ISBN: 9781788507530
• Topic: Media & Performing Arts
• Subtopic: Acting & Auditioning

'There is no acting, only reacting to the space.'

In his bestselling book The Actor and the Target, Declan Donnellan laid out a fresh and radical approach to acting that has inspired actors around the world.

Now, in The Actor and the Space, he develops and extends those ideas, exploring that most profound source of vitality in life as well as performance: the space around us.

Tackling fundamental questions that face any actor – What makes performance better? How do I create a space for my character to live in? How do I tap into that space, and draw energy from it? – Donnellan offers a universal set of keys to unlock the mysteries of performance.

Full of insightful precepts, acute psychology and practical, hands-on advice, the book presents a bold new way of thinking about acting, illustrated throughout with line-by-line analysis of scenes from Macbeth to show how it works in rehearsal and performance.

Essential reading for any actor or theatre director, The Actor and the Space is also a fascinating distillation of the work of a world-leading director that will reward and enrich anyone with an interest in theatre.

'A hand grenade of a book. It contains all the humility and chutzpah you need to work in the theatre.' Cate Blanchett

'A wonderful book. Few directors think as deeply or perceptively about the art of acting as Declan Donnellan. This is an essential text for the actor, supremely useful, practical, elegant and profound.' Matthew Macfadyen

'Beautifully clear. This generous vision takes a very complex art form and makes it all seem so simple. The whole book is a key. Unlocking the problems actors face as they try to accept another reality long enough to let the audience get a glimpse of the best our art can offer – a glimpse into themselves.' Adrian Lester

'Declan Donnellan's profound insight and point of departure is that great theatre, like a child's sandcastle, inhabits a vulnerable and ever-changing space between the safe and the dangerous. There is a whole lot of wisdom in this book – about tragedy, human psychology, words, dread and about how great acting really works – conveyed with remarkable clarity and simplicity. It's worth sharing with non-actor friends for its insights into Macbeth alone. Most of all, it's a distillation of hard-won lessons learned from decades of immersion in the mysteries of theatre by one of the great directors of our day.' James Shapiro, Shakespeare scholar and author of 1599: A Year in the Life of William Shakespeare

Table of contents

• Cover
• Title page
• Contents
• 1 Not True But Useful
• 2 A Starting Point
• 3 Sandcastles
• 4 False Friends
• 5 Green Glasses
• 6 The Crowded Space
• 7 Quarantine
• 8 The Other Space
• 9 Thresholds
• 10 Trying Out the Keys
• 11 Flow
• 12 Character
• 13 Predicament
• 14 Dread
• 15 False Words
• 16 The Political Actor
• 17 The Keys
• Acknowledgements
• Index
• About the Authors
• Copyright Information