- 184 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
About this book
Quiet Pictures approaches the films of Joanna Hogg, Lynne Ramsay, Céline Sciamma, and Lucile Hadžhalilovicthrough the lens of silence as a motif and texture.
This book takes up the question of different uses of silence in the work of these directors and how this creates a space for foregrounding innovative practices that establish new ways of looking, staring, and gazing. Sarah Artt discusses how the deliberate deployment of silence creates space for the formation of reciprocal gazes that counteract the typically gendered and binary ways in which women and femme-presenting people tend to be portrayed on screen. Quiet Pictures draws on the political legacy of feminist film theory to explore and conceptualise what it means to not just look back, but to share the gaze.
This book discusses several films, including: Unrelated (Hogg, 2007), Archipelago (Hogg, 2010), Exhibition (Hogg, 2013), The Souvenir Part I and II (Hogg, 2019 and 2021), Morvern Callar (Ramsay, 2002), We Need to Talk About Kevin (Ramsay, 2011), Innocence (Hadžhalilovic 2004), Evolution (Hadžhalilovic 2015), Waterlilies/Naissance des Pieuvres (Sciamma, 2007), Tomboy (Sciamma, 2011), Girlhood/Bande des Filles (Sciamma, 2014), Portrait of a Lady on Fire/Portrait d'une jeune fille en feu (Sciamma, 2019), and Petite Maman/Little Mother (Sciamma, 2021).
This book takes up the question of different uses of silence in the work of these directors and how this creates a space for foregrounding innovative practices that establish new ways of looking, staring, and gazing. Sarah Artt discusses how the deliberate deployment of silence creates space for the formation of reciprocal gazes that counteract the typically gendered and binary ways in which women and femme-presenting people tend to be portrayed on screen. Quiet Pictures draws on the political legacy of feminist film theory to explore and conceptualise what it means to not just look back, but to share the gaze.
This book discusses several films, including: Unrelated (Hogg, 2007), Archipelago (Hogg, 2010), Exhibition (Hogg, 2013), The Souvenir Part I and II (Hogg, 2019 and 2021), Morvern Callar (Ramsay, 2002), We Need to Talk About Kevin (Ramsay, 2011), Innocence (Hadžhalilovic 2004), Evolution (Hadžhalilovic 2015), Waterlilies/Naissance des Pieuvres (Sciamma, 2007), Tomboy (Sciamma, 2011), Girlhood/Bande des Filles (Sciamma, 2014), Portrait of a Lady on Fire/Portrait d'une jeune fille en feu (Sciamma, 2019), and Petite Maman/Little Mother (Sciamma, 2021).
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Quiet Pictures by Sarah Artt in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film History & Criticism. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Halftitle Page
- Title Page
- Dedication Page
- Contents
- Figures
- Acknowledgments
- Introduction More than Absence: Silences in the Cinemas of Joanna Hogg, Lynne Ramsay, Céline Sciamma, and Lucile Hadžhalilović
- 1 Childhood, Curiosity, and Compliance in Innocence, Evolution, and Tomboy
- 2 Adolescence and Collaborative Queer Gazes in Water Lilies/Naissance des pieuvres, and Girlhood/Bande des Filles
- 3 Artist-Exhibitionists and Silence as Utopian Space in Lynne Ramsay’s Morvern Callar and Joanna Hogg’s Exhibition
- 4 Sinister Silences and Mothering in Lynne Ramsay’s We Need to Talk About Kevin and Lucile Hadžhalilović’s Evolution
- 5 Silenced Desire and Anger in Joanna Hogg’s Unrelated, Archipelago, and Exhibition
- Afterword
- References
- Index
- Imprint