
Progressive Intertextual Practice in Modern And Contemporary Literature
- 176 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Progressive Intertextual Practice in Modern And Contemporary Literature
About this book
This edited volume aims to reposition intertextuality in relation to recent trends in critical practice. Inspired by the work of Sara Ahmed in particular, our authors explore and reconfigure classic theories of authorship, influence and the text (including those by Roland Barthes, Michel Foucault and Harold Bloom), updating these conversations to include intersectionality specifically, broadly understood to include gendered, racial and other forms of social justice including disability, and the progressive impact of the transmission and transformation of texts. This diverse volume includes discussions of major canonical works such as James Joyce's Ulysses alongside the recent contemporary literature by authors such as Siri Husvedt and Maggie O'Farrell, as well as theoretical interventions. This volume also engages with how intertextuality can facilitate interdisciplinary and ekphrastic thinking and representation, as the inspiration of music and the visual arts for texts and their transmission is addressed. The choice of intertexts become deliberately political, ethical and artistic signifiers for the authors discussed in this volume, and our contributors are thus enabled to address topics ranging from visual impairment to Shakespearean motherhood to the influence of Jazz culture on writing on the Northern Irish Troubles.
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Information
Table of contents
- Cover
- Half Title
- Series Page
- Title Page
- Copyright Page
- Table of Contents
- List of Contributors
- Acknowledgements
- Introduction
- Part I New Metaphors for Progressive Intertextuality
- Part II Progressive Intertextuality and Inclusivity
- Part III Progressive Intertextuality and Interdisciplinarity
- Coda: Questions of the Tongue
- Index