Gender and the Musical Canon
eBook - ePub

Gender and the Musical Canon

  1. 328 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Gender and the Musical Canon

About this book

A classic in gender studies in music

Marcia J. Citron's comprehensive, balanced work lays a broad foundation for the study of women composers and their music. Drawing on a diverse body of feminist and interdisciplinary theory, Citron shows how the western art canon is not intellectually pure but the result of a complex mixture of attitudes, practices, and interests that often go unacknowledged and unchallenged.

Winner of the Pauline Alderman Prize from the International Alliance of Women in Music, Gender and the Musical Canon explores important elements of canon formation, such as notions of creativity, professionalism, and reception. Citron surveys the institutions of power, from performing organizations and the academy to critics and the publishing and recording industries, that affect what goes into the canon and what is kept out. She also documents the nurturing role played by women, including mothers, in cultivating female composers. In a new introduction, she assesses the book's reception by composers and critics, especially the reactions to her controversial reading of Cécile Chaminade's sonata for piano.

A key volume in establishing how the concepts and assumptions that form the western art music canon affect female composers and their music, Gender and the Musical Canon also reveals how these dynamics underpin many of the major issues that affect musicology as a discipline.

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Yes, you can access Gender and the Musical Canon by Marcia J. Citron in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Classical Music. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication Page
  5. Contents
  6. Preface to the Illinois paperback
  7. Preface
  8. Introduction
  9. Chapter 1 Canonic issues
  10. Chapter 2 Creativity
  11. Chapter 3 Professionalism
  12. Chapter 4 Music as gendered discourse
  13. Chapter 5 Reception
  14. Chapter 6 The canon in practice
  15. Notes
  16. Bibliography
  17. Index