
- English
- PDF
- Available on iOS & Android
About this book
Divining the Self weaves elements of personal narrative, myth, history, and interpretive analysis into a vibrant tapestry that reflects the textured, embodied, and performative nature of scripture and scripturalizing practices. Velma Love examines the Odu—the Yoruba sacred scriptures—along with the accompanying mythology, philosophy, and ritual technologies engaged by African Americans. Drawing from the personal narratives of African American Ifa practitioners along with additional ethnographic fieldwork conducted in Oyotunji African Village, South Carolina, and New York City, Love's work explores the ways in which an ancient worldview survives in modern times.
Divining the Self also takes up the challenge of determining what it means for the scholar of religion to study scripture as both text and performance. This work provides an excellent case study of the sociocultural phenomenon of scripturalizing practices.
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Information
Table of contents
- COVER Front
- Series Page
- Copyright Page
- Table of Contents
- Preface and Acknowledgments
- A Note on the Text
- Introduction
- Notes to Introduction
- Chapter 1: Mythic Origins and Cultural Practices
- Notes to Chapter 1
- Chapter 2: Orisha Archetypes, Cultural Memory, and the Odu
- Notes to Chapter 2
- Chapter 3: Divining the Self
- Notes to Chapter 3
- Chapter 4: Symbols and Signposts for the Journey
- Notes to Chapter 4
- Chapter 5: Powers of the Mothers
- Notes to Chapter 5
- Chapter 6: Oshun, Yemonja, and Oya
- Notes to Chapter 6
- Conclusion
- Notes to Conclusion
- Notes
- Selected Bibliography
- Index
- COVER Back