Reading the Written Image
eBook - PDF

Reading the Written Image

Verbal Play, Interpretation, and the Roots of Iconophobia

  1. English
  2. PDF
  3. Available on iOS & Android
eBook - PDF

Reading the Written Image

Verbal Play, Interpretation, and the Roots of Iconophobia

About this book

Reading the Written Image is a study of the imagination as it is prompted by the verbal cues of literature. Since every literary image is also a mental image, a representation of an absent entity, Collins contends that imagination is a poiesis, a making-up, an act of play for both author and reader. The "willing suspension of disbelief," which Coleridge said "constitutes poetic faith," therefore empowers and directs the reader to construct an imagined world in which particular hypotheses are proposed and demonstrated.

Although the imagination as a central concept in poetics emerges into critical debate only in the eighteenth century, it has been a crucial issue for over two millennia in religious, philosophical, and political discourse. The two recognized alternative methodologies in the study of literature, the poetic and the hermeneutic, are opposed on the issue of the written image: poets and readers feel free to imagine, while hermeneuts feel obliged to specify the meanings of images and, failing that, to minimize the importance of imagery. Recognizing this problem, Collins proposes that reading written texts be regarded as a performance, a unique kind of play that transposes what had once been an oral-dramatic situation onto an inner, imaginary stage. He applies models drawn from the psychology of play to support his theory that reader response is essentially a poietic response to a rule-governed set of ludic cues.

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Yes, you can access Reading the Written Image by Christopher Collins in PDF and/or ePUB format, as well as other popular books in Literature & Linguistics. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Cover
  2. Title
  3. Copyright
  4. Contents
  5. Preface
  6. 1. Literacy and the Opening of the Inner Eye
  7. 2. Visionary Places
  8. 3. Scripture and Poiesis
  9. 4. Empiricism and Interpretive Method
  10. 5. Interpretation and the Poetics of Performance
  11. 6. The Poetic Focus
  12. 7. Poetic Faith and the Written Image
  13. Bibliography
  14. Index