
- 156 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
The primary objective of this collection is to examine the ways in which religion, culture and politics converge in configuring the contradictions of post-war Italy's cultural history, starting from the assumption that conducting a critical reflection on Italian postwar visual culture requires investigating the inevitable impact of Catholic religion on everyday life in its social, political and cultural dimensions. The volume takes advantage of the privileged position of cinema to explore and critique religion's influence on the Italian cultural landscape. This edited anthology thus seeks to probe how religion is experienced, practiced, criticized and represented from various methodological perspectives (historical, philological, aesthetic, psychoanalytical, popular studies, etc.) through four main sections: 'Propaganda and Censorship', 'Framing Belief: Pasolini and Petri', 'Religion in Italian Popular Cinema' and 'Ancient Rituals, Modern Myths'.
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Information
Table of contents
- To My Nation
- Introduction
- Propaganda and censorship
- Pastor Angelicus as a Political Text
- Censorship Italian Style
- Framing belief Pasolini and Petri
- An Immanent Sublime
- Belief as Fetish
- Religion in Italian Popular Cinema
- For a Politics of Comic Immanence
- Religious Politics of Gender Oppression in Il Demonio (1963) and Non si sevizia un paperino (1972)
- Ancient rituals, modern myths
- Rituals in an Archaic Italy
- The End Goes On…
- Notes on contributors