
Lorca's Experimental Theater
Breaking the Guardrails of Convention
- 296 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Critical and historical discussions of the life and work of Federico GarcÃa Lorca, Spain's foremost poet and playwright of the twentieth century, often obscure the author's more avant-garde dramatic works. In Lorca's Experimental Theater, Andrew A. Anderson focuses on four of Lorca's most challenging plays— Amor de don PerlimplÃn con Belisa en su jardÃn, El público, Asà que pasen cinco años, and El sueño de la vida (previously known as Comedia sin tÃtulo )—and on the surrounding context in which they came to be written and in only one case performed during his lifetime. While none of Lorca's plays can be considered conventional, these four works stand out in his corpus for challenging theatrical conventions most forcefully, both thematically and technically.With discussions of stagecraft, artistic modernism, and the historical avant-garde, Lorca's Experimental Theater provides detailed interpretive readings of the four plays, surveys their textual and performative history, and examines the most important contemporary influences on Lorca's creation of these expressive, innovative works.
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Information
Table of contents
- Cover
- Title Page
- Copyright Page
- Dedication
- Contents
- ACKNOWLEDGMENTS
- NOTE ON TRANSLATIONS
- Introduction
- 1 Staging the Unstageable: Efforts to Perform the Experimental Plays, 1929–1936
- 2 Undecidability in Amor de don PerlimplÃn con Belisa en su jardÃn
- 3 GarcÃa Lorca and the New York Theater, 1929–1930
- 4 Three Expressionist Dramas: El público, Asà que pasen cinco años, and El sueño de la vida
- 5 Theme and Symbol in El público
- 6 Juliet and the Shifting Sands of El público
- 7 Destiny and Denial in Asà que pasen cinco años
- 8 Asà que pasen cinco años, Act 3, Scene 1: A Reading
- 9 Social Concern, Metatheater, and the Audience’s Experience in El sueño de la vida
- Epilogue
- NOTES
- BIBLIOGRAPHY
- INDEX