Disappointment

Its Modern Roots from Spinoza to Contemporary Literature

Michael Mack

• Publisher: Bloomsbury Academic
• Year: 2020
• Print ISBN: 9781501366871
• eBook ISBN: 9781501366888
• Edition: 1
• Topic: Letteratura
• Subtopic: Critica letteraria di letteratura comparata

Considering the support behind Brexit and Donald Trump's 'America first' policies, this book challenges the idea that they are motivated solely by fear and instead looks at the hope and promises that drive these renewed forms of nationalism. Addressing these neglected motivations within contemporary populism, Michael Mack explores how our current sense of disappointment with our ecological, economic and political state of affairs partakes of a history of failed promises that goes back to the inception of modernity; namely, to Spinoza's radical enlightenment of diversity and equality. Through this innovative approach, Spinoza emerges less as a single isolated figure and more as a sign for an intellectual constellation of thinkers and writers who – from the romantics to contemporary theory and literature – have introduced various shifts in the way we see humanity as being limited and prone to disappointment. Combining intellectual history with literary and scientific theory, the book traces the collapse of traditional values and orders from Spinoza to Nietzsche and then to the literary modernism of Joseph Conrad and postmodernism of Philip Roth and Thomas Pynchon.

Table of contents

• Cover
• Half-Title
• Title
• Contents
• Acknowledgments
• Introduction: Spinoza and the Simultaneity of Promise and Disappointment
• 1 Spinoza and F. H. Jacobi’s Idealist Disavowal of Disappointment or How Romanticism Questions Idealizations of the Anthropocene
• 2 Rendering Dialectics Disappointing: Spinoza’s Specter Haunting the Anthropocene from Romanticism to Postmodernism in Literature and Science
• 3 The Destructive Element: Keats and Conrad or How Romanticism Avows Idealism’s Disavowed Disappointment
• 4 Modernity’s Promise and Its Disavowed Disappointment: Hannah Arendt’s Analysis of Totalitarianism Out of the Sources of Conrad’s Heart of Darkness
• 5 The Trajectory of Conrad’s Novel of Disavowed Disappointment: Hegel’s Dialectics, F. Scott Fitzgerald’s The Great Gatsby, and Saul Bellow’s Ravelstein
• 6 Political Promises and History’s Disappointments: Leo Strauss as the Esoteric Center of Bellow’s Ravelstein and the Critique of Grand Political Promises
• 7 Disappointment in the Age of the Anthropocene: How D. H. Lawrence and Kafka Render Dialectics Inoperative
• 8 Disappointing Expectations of Redemption: Modern Jewish Writing and Thought
• 9 Conclusion: Expecting Disappointment, or, from Pynchon’s, Roth’s, Strauss’s, and Vonnegut’s Postmodernism to Anna Burns’s Milkman and D. F. Wallace’s The Pale King
• Bibliography
• Index
• Copyright