
eBook - ePub
Las Raras
Feminine Style, Intellectual Networks, and Women Writers during Spanish-American Modernismo
- 272 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
Las Raras
Feminine Style, Intellectual Networks, and Women Writers during Spanish-American Modernismo
About this book
Premio al Mejor Libro, Latin American Studies AssociationâNineteenth-Century Section, 2025
Premio Victoria Urbano de MonografĂa CrĂtica, Association of Gender and Sexuality Studies, 2025 (co-winner)
Las Raras proposes that the Modernistas' advocacy for a writing style they considered feminine helps us to understand why so few (and perhaps no) women were accepted as active participants in Modernismo. Author Sarah Moody studies how particular writers contributed to the idea of a feminine aesthetic and tracks the intellectual networks of Modernismo through periodicals and personal papers, such as albums and correspondence. Buenos Aires, Paris, and Montevideo figure prominently in this transatlantic study, which reexamines some of the most important period writers in Spanish, including RubĂ©n DarĂo, Amado Nervo, and Enrique GĂłmez Carrillo.
This book also considers the critiques launched by women writers, such as Aurora CĂĄceres, Clorinda Matto de Turner, and MarĂa Eugenia Vaz Ferreira, who experienced Modernista exclusion firsthand, deconstructed the Modernista discourse of a modern, "feminine" style, and built literary success in alternative terms. These writers reoriented the discussion about women in modernity to address women's education, professionalization, and advocacy for social and civic improvements. In this study, Modernismo emerges as both a literary style and an intellectual network, in which style and sociability are mutually determining and combine to form a system of prestige and validation that excluded women writers.
Premio Victoria Urbano de MonografĂa CrĂtica, Association of Gender and Sexuality Studies, 2025 (co-winner)
Las Raras proposes that the Modernistas' advocacy for a writing style they considered feminine helps us to understand why so few (and perhaps no) women were accepted as active participants in Modernismo. Author Sarah Moody studies how particular writers contributed to the idea of a feminine aesthetic and tracks the intellectual networks of Modernismo through periodicals and personal papers, such as albums and correspondence. Buenos Aires, Paris, and Montevideo figure prominently in this transatlantic study, which reexamines some of the most important period writers in Spanish, including RubĂ©n DarĂo, Amado Nervo, and Enrique GĂłmez Carrillo.
This book also considers the critiques launched by women writers, such as Aurora CĂĄceres, Clorinda Matto de Turner, and MarĂa Eugenia Vaz Ferreira, who experienced Modernista exclusion firsthand, deconstructed the Modernista discourse of a modern, "feminine" style, and built literary success in alternative terms. These writers reoriented the discussion about women in modernity to address women's education, professionalization, and advocacy for social and civic improvements. In this study, Modernismo emerges as both a literary style and an intellectual network, in which style and sociability are mutually determining and combine to form a system of prestige and validation that excluded women writers.
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Yes, you can access Las Raras by Sarah Moody in PDF and/or ePUB format, as well as other popular books in Literature & Latin American & Caribbean Literary Criticism. We have over one million books available in our catalogue for you to explore.
Information
Publisher
Vanderbilt University PressYear
2024Print ISBN
9780826506887, 9780826506894eBook ISBN
9780826506900Table of contents
- Cover
- Title Page
- Copyright
- Dedication
- Contents
- Acknowledgments
- Introduction. The Missing Women of Modernismo
- 1. The Feminine Aesthetic of Modernismo
- 2. CrĂłnicas de ParĂs: DarĂo and GĂłmez Carrillo on the Feminine Modern
- 3. Alternative Modernities: Exile and the Re-invention of Clorinda Matto de Turner
- 4. Rareza: MarĂa Eugenia Vaz Ferreira and Montevideoâs âGeneration of 1900â
- 5. Souvenirs: Aurora CĂĄceres and the Ălbum personal as Collection
- Conclusion
- Notes
- Bibliography
- Index