- 272 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
About this book
In Visual Disobedience, Kency Cornejo traces the emergence of new artistic strategies for Indigenous, feminist, and anticarceral resistance in the wake of torture, disappearance, killings, and US-funded civil wars in Central America. Cornejo reveals a direct line from US intervention to current forms of racial, economic, and gender injustice in the isthmus, connecting this to the criminalization and incarceration of migrants at the US-Mexico border today. Drawing on interviews with Central American artists and curators, she theorizes a form of "visual disobedience" in which art operates in opposition to nation-states, colonialism, and visual coloniality. She counters historical erasure by examining over eighty artworks and highlighting forty artists across the region. Cornejo also rejects the normalized image of the suffering Central American individual by repositioning artists as creative agents of their own realities. With this comprehensive exploration of contemporary Central American art, Cornejo highlights the role of visual disobedience as a strategy of decolonial aesthetics to expose and combat coloniality, heteropatriarchy, white supremacy, empire, and other systems of oppression.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Visual Disobedience by Kency Cornejo in PDF and/or ePUB format, as well as other popular books in Art & Art General. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Contents
- List of Illustrations
- Acknowledgments
- Introduction: Against Visual Coloniality
- 1. Semillas: Art and Indigenous Defiance in Guatemala
- 2. A Creative Turn to the Body: Feminist Dissonance and Erotic Autonomy in Central American Art
- 3. Shifting the Border: Central American Art against the War on Mobility
- 4. “Los Siempre Sospechosos de Todo": Art on Criminalization, Prisons, and Social Cleansing in Central America
- Conclusion: Visual Disobedience and Art Histories Otherwise
- Notes
- Bibliography
- Index