The sound of difference
eBook - ePub
Available until 23 Dec |Learn more

The sound of difference

Race, class and the politics of 'diversity' in classical music

  1. 272 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub
Available until 23 Dec |Learn more

The sound of difference

Race, class and the politics of 'diversity' in classical music

About this book

What happens when the elitist space of 'Western' classical music seeks to diversify itself? And what are the social effects worked through diversity discourses in classical music institutions? The sound of difference addresses these concerns by critically examining how diversity work takes shape in a cultural sector so deeply implicated in hierarchies of class, structures of whiteness, and legacies of imperialism. The book draws from ethnographic and interview data to analyse how diversity discourses become constructed in the organisational and creative processes of music production. From rehearsal and performance practices to the impact of the Covid-19 pandemic on the sector's commitment to change, Kolbe reveals the institutional constraints and precarious labour relations that form around diversity work in classical music and skilfully considers what these processes can tell us about the remaking of class, race, and racism today.

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Yes, you can access The sound of difference by Kristina Kolbe in PDF and/or ePUB format, as well as other popular books in Social Sciences & Sociology. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover
  2. Half Title
  3. Series Information
  4. Title Page
  5. Copyright Page
  6. Contents
  7. Acknowledgements
  8. Introduction
  9. 1 Thinking through diversity and its discontents
  10. 2 When diversity enters classical music: situating the sector as a social scene
  11. 3 From ‘white space’ to ‘diverse space’? How music practitioners reflect on diversity’s hopes, tensions and drawbacks
  12. 4 The commodification of diversity in practices of elitism and race-making
  13. 5 Making diverse musics: power, inequality and subjectivity in practices of composition, rehearsal and performance
  14. 6 How to imagine/stage difference otherwise? (Dis)continuities of Orientalist representations in curatorial praxis
  15. 7 Toward a politics of conviviality? Thinking through musical performances as liminal encounters
  16. 8 ‘Diversity’ in crisis? Reflecting on COVID-19’s impact on institutional commitments to change
  17. Conclusion
  18. References
  19. Index