
English Church Polyphony
Singers and Sources from the 14th to the 17th Century
- 368 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
The theme of the essays in this volume is the identification of the resources which between c.1320 and 1642 the English church saw fit to provide for the performance of the music of its liturgy. Individual essays describe the music and the choirs of Canterbury and Lincoln Cathedrals, Winchester Cathedral Priory and the private chapel of Cardinal Wolsey, while the personnel of the chapels of Edward III, the Black Prince and John of Gaunt emerge from study of the texts of compositions of the 14th century. From the alignment of contemporary musical and archival sources there arises a web of conclusions relating to the size of ensemble, vocal scoring and sounding pitch envisaged by its composers for English church polyphony of the period c.1320-1559. These essays thus encompass the two most profound of the revolutions to which the music of the English church was subject at this period: the inauguration and widespread adoption of choral polyphony in the years c.1455-85 and the liturgical and doctrinal Reformation of 1547 to 1563.
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Table of contents
- Cover
- Series
- Half Title
- Title
- Copyright
- Contents
- Preface
- List of Abbreviations
- Church Polyphony, c.1320–1558: Performance and Notation
- Choirs and Their Music from the Middle Ages to the Civil Wars
- Composition and Employment in Cathedral and Household Chapel
- Commentary and Corrigenda
- Index of Choral Institutions
- Index of Names
- Index of Music Manuscripts and Topics
- Index of Compositions