Monteverdi and his Contemporaries
eBook - ePub

Monteverdi and his Contemporaries

  1. 270 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Monteverdi and his Contemporaries

About this book

This collection of reprinted essays takes the trends of the author's Music, Patronage and Printing in Late Renaissance Florence (also in the 'Variorum' series) in a somewhat different direction. If the focus there was primarily on archival documents, here it is on the actual music. The starting-point is similar - the rise of the 'new music' for solo voice and basso continuo in late sixteenth- and early seventeenth-century Florence, in particular the songs of Giulio Caccini. But it moves on to broader aesthetic issues crystallized in contemporary theoretical debate and musical practice - not least the rise of aria-based styles - and concludes with a series of studies of Claudio Monteverdi's works for the theatre, including the operas Il ritorno d'Ulisse in patria (1640) and the ever-problematic L'incoronazione di Poppea (1643).

Frequently asked questions

Yes, you can cancel anytime from the Subscription tab in your account settings on the Perlego website. Your subscription will stay active until the end of your current billing period. Learn how to cancel your subscription.
No, books cannot be downloaded as external files, such as PDFs, for use outside of Perlego. However, you can download books within the Perlego app for offline reading on mobile or tablet. Learn more here.
Perlego offers two plans: Essential and Complete
  • Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
  • Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Both plans are available with monthly, semester, or annual billing cycles.
We are an online textbook subscription service, where you can get access to an entire online library for less than the price of a single book per month. With over 1 million books across 1000+ topics, we’ve got you covered! Learn more here.
Look out for the read-aloud symbol on your next book to see if you can listen to it. The read-aloud tool reads text aloud for you, highlighting the text as it is being read. You can pause it, speed it up and slow it down. Learn more here.
Yes! You can use the Perlego app on both iOS or Android devices to read anytime, anywhere — even offline. Perfect for commutes or when you’re on the go.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Monteverdi and his Contemporaries by Tim Carter in PDF and/or ePUB format, as well as other popular books in History & Music. We have over one million books available in our catalogue for you to explore.

Information

Publisher
Routledge
Year
2024
Print ISBN
9780860788232
eBook ISBN
9781040246641
Edition
1
Topic
History
Subtopic
Music
Index
History

Table of contents

  1. Cover
  2. Series
  3. Half Title
  4. Title
  5. Copyright
  6. Contents
  7. Introduction
  8. Acknowledgments
  9. I Music Publishing in Italy, c. 1580–c. 1625: Some Preliminary Observations
  10. II On the Composition and Performance of Caccini's Le nuove musiche (1602)
  11. III Caccini's Amarilli, mia bella: Some Questions (and a Few Answers)
  12. IV New Songs for Old? Guarini and the Monody
  13. V 'An Air New and Grateful to the Ear': The Concept of Aria in Late Renaissance and Early Baroque Italy
  14. VI Artusi, Monteverdi, and the Poetics of Modern Music
  15. VII 'Sfogava con le stelle' Reconsidered: Some Thoughts on the Analysis of Monteverdi's Mantuan Madrigals
  16. VIII Resemblance and Representation: Towards a New Aesthetic in the Music of Monteverdi
  17. IX Possente spirto: On Taming the Power of Music
  18. X Intriguing Laments: Sigismondo d'India, Claudio Monteverdi, and Dido alla parmigiana (1628)
  19. XI In Love's Harmonious Consort'? Penelope and the Interpretation of Il ritorno d'Ulisse in patria
  20. XII Re-Reading Poppea: Some Thoughts on Music and Meaning in Monteverdi's Last Opera
  21. Index