eBook - ePub
A Siberian History of Soviet Film
Manufacturing Visions of the Indigenous Peoples of the North
- 320 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
A Siberian History of Soviet Film
Manufacturing Visions of the Indigenous Peoples of the North
About this book
Winner of the British Association of Film, Television and Screen Studies Best First Monograph Award
In A Siberian History of Soviet Film, Caroline Damiens explores how the depictions of the indigenous 'Peoples of the North' in Soviet cinema and television evolved between 1920 and 1980.
Damiens combines a detailed analysis of key works such as Forest People (1928), Igdenbu (1930), Dersu Uzala (1961 & 1975), Tymancha's Friend (1969) and The Most Beautiful Ships (1972), with primary sources like press articles, archives, and interviews, to reveal how these cinematic portrayals were created and negotiated, providing insight into the concepts of progress and authenticity in the Soviet context. She emphasises the role of indigenous individuals in shaping their cinematic image, both in front of and behind the camera, highlighting the works of lesser-known figures like Suntsai Geonka, Zinaida Pikunova, and Iurii Rytkheu. In doing so, Damiens emphasises the multifaceted nature of film, where interpretations differ based on the perspectives of those involved.
Using a decolonial approach and drawing from extensive archival materials, Damiens prompts a re-evaluation of the Soviet cinematic past and present by centring indigenous voices in the narrative. In doing so, she provides a thorough exploration of the intricate relationship between culture, representation, and identity in Soviet cinema.
In A Siberian History of Soviet Film, Caroline Damiens explores how the depictions of the indigenous 'Peoples of the North' in Soviet cinema and television evolved between 1920 and 1980.
Damiens combines a detailed analysis of key works such as Forest People (1928), Igdenbu (1930), Dersu Uzala (1961 & 1975), Tymancha's Friend (1969) and The Most Beautiful Ships (1972), with primary sources like press articles, archives, and interviews, to reveal how these cinematic portrayals were created and negotiated, providing insight into the concepts of progress and authenticity in the Soviet context. She emphasises the role of indigenous individuals in shaping their cinematic image, both in front of and behind the camera, highlighting the works of lesser-known figures like Suntsai Geonka, Zinaida Pikunova, and Iurii Rytkheu. In doing so, Damiens emphasises the multifaceted nature of film, where interpretations differ based on the perspectives of those involved.
Using a decolonial approach and drawing from extensive archival materials, Damiens prompts a re-evaluation of the Soviet cinematic past and present by centring indigenous voices in the narrative. In doing so, she provides a thorough exploration of the intricate relationship between culture, representation, and identity in Soviet cinema.
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Yes, you can access A Siberian History of Soviet Film by Caroline Damiens in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Russian History. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Halftitle Page
- Title Page
- Contents
- List of illustrations
- Acknowledgements
- Note on transliteration
- Introduction
- Part One Shooting with indigenous people: Expeditionary practices and filmic co-construction in the peripheries (1926–35)
- Part Two Indigenous people in Soviet discourse on modernity: The politics of casting and representation (1935–79)
- Part Three On TV: Towards visual sovereignty (1969–82)
- Epilogue: Rediscovering indigenous voices in Soviet cinema
- Glossary
- Notes
- Filmography
- Bibliography
- Index
- Imprint