Early American Cinema in Transition
eBook - PDF

Early American Cinema in Transition

Story, Style, and Filmmaking, 1907–1913

  1. 321 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Early American Cinema in Transition

Story, Style, and Filmmaking, 1907–1913

About this book

The period 1907–1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format.
    Keil outlines the kinds of narratives that proved most suitable for a single reel's duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O'Salem-Town; Cupid's Monkey Wrench; Belle Boyd, A Confederate Spy; and Suspense.

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Information

Year
2001
Print ISBN
9780299173647
9780299173609
eBook ISBN
9780299173630

Table of contents

  1. Contents
  2. Tables
  3. Acknowledgments
  4. 1. Introduction
  5. 2. “Boom Time in the Moving-Picture Business” : Industrial Structure, Production Practices, and the Trade Press
  6. 3. “A Story Vital and Unified in Its Action” : The Demands of Narrative
  7. 4. “An Immeasurably Greater Freedom” : Time and Space in Transitional Cinema
  8. 5. “The Modern Technique of the Art” : The Style of Transitional Cinema
  9. 6. Analyzing Transition: Six Sample Films
  10. 7. Conclusion
  11. Appendix A: Notes on Method
  12. Appendix B: Shot-by-Shot Analyses for Chapter 6
  13. Notes
  14. Filmography: Viewed Titles, 1907–1913
  15. Works Cited
  16. Film Index
  17. General Index

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