- 240 pages
- English
- PDF
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About this book
Under the strict rule of twentieth century Irish censorship, creators of novels, films, and most periodicals found no option but to submit and conform to standards. Stage productions, however, escaped official censorship. The theater became a "public space"—a place to air cultural confrontations between Church and State, individual and community, and "freedom of the theatre" versus the audience's right to disagree.
Joan FitzPatrick Dean's Riot and Great Anger suggests that while there was no state censorship in early-twentieth-century Ireland, the theater often evoked heated responses from theatergoers, sometimes resulting in riots and the public denunciation of playwrights and artists. Dean examines the plays that provoked these controversies, the degree to which they were "censored" by the audience or actors, and the range of responses from both the press and the courts. She addresses familiar pieces such as those of William Butler Yeats, John Millington Synge, and Sean O'Casey, as well as the works of less known playwrights such as George Birmingham. Dean's original research meticulously analyzes Ireland's great theatrical tradition, both on the stage and off, concluding that the public responses to these controversial productions reveal a country that, at century's end as at its beginning, was pluralistic, heterogeneous, and complex.
Joan FitzPatrick Dean's Riot and Great Anger suggests that while there was no state censorship in early-twentieth-century Ireland, the theater often evoked heated responses from theatergoers, sometimes resulting in riots and the public denunciation of playwrights and artists. Dean examines the plays that provoked these controversies, the degree to which they were "censored" by the audience or actors, and the range of responses from both the press and the courts. She addresses familiar pieces such as those of William Butler Yeats, John Millington Synge, and Sean O'Casey, as well as the works of less known playwrights such as George Birmingham. Dean's original research meticulously analyzes Ireland's great theatrical tradition, both on the stage and off, concluding that the public responses to these controversial productions reveal a country that, at century's end as at its beginning, was pluralistic, heterogeneous, and complex.
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Yes, you can access Riot and Great Anger by Joan Fitzpatrick Dean in PDF and/or ePUB format, as well as other popular books in History & Irish History. We have over one million books available in our catalogue for you to explore.
Information
Publisher
University of Wisconsin PressYear
2010Print ISBN
9780299196646, 9780299196608eBook ISBN
9780299196639Table of contents
- Table of Contents
- Acknowledgments
- List of Abbreviations
- Introduction
- 1. Theatrical Censorship and Disorder in Ireland
- 2. Theatre, Art, and Censorship
- 3. “The Evil Genius”
- 4. “The Boom of the Ban”
- 5. The Riot in Westport; or, George A. Birminghamat Home
- 6. The Freedom of the Theatre in the Irish Free State, 1922–1929
- 7. Irish Stage Censorship from Salome through Roly Poly
- 8. The Fifties
- 9. New Theatrical Economies
- Conclusion
- Notes
- Selected Bibliography
- Index