Theatre
eBook - ePub

Theatre

  1. 168 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Theatre

About this book

If theatre were a religion, explains David Mamet in his opening chapter, "many of the observations and suggestions in this book might be heretical." As always, Mamet delivers on his promise: in Theatre, the acclaimed author of Glengarry Glen Ross and Speed the Plow calls for nothing less than the death of the director and the end of acting theory. For Mamet, either actors are good or they are non-actors, and good actors generally work best without the interference of a director, however well-intentioned. Issue plays, political correctness, method actors, impossible directions, Stanislavksy, and elitists all fall under Mamet's critical gaze. To students, teachers, and directors who crave a blast of fresh air in a world that can be insular and fearful of change, Theatre throws down a gauntlet that challenges everyone to do better, including Mamet himself.

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Yes, you can access Theatre by David Mamet in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film & Video. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover
  2. Title
  3. Copyright
  4. Dedication
  5. Contents
  6. Introduction
  7. The Greenroom
  8. The Hunter and the Game
  9. Hunting Instincts
  10. The Lamppost and the Alley
  11. The Fatal Spin
  12. The Problem with “Training,” or “Slaves of the Ant-God, Throog”
  13. Emotion
  14. The Map and the Territory
  15. Theatrical Forms
  16. Totalitarian Tendencies
  17. Repression
  18. Politically Correct
  19. Great American Plays and Great American Poetry
  20. The Bathing Machine
  21. Stagecraft
  22. Impertinence
  23. The End of Adolescence
  24. Subvention
  25. Two Teachers
  26. A Culture of Confession
  27. Theatrical Culture
  28. Third Parties
  29. On the General Uselessness of the Rehearsal Process
  30. The Fallacy of the Director
  31. Directing for the Stage
  32. Time
  33. Acknowledgments