
- 212 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Shakespeare's Mirrors
About this book
Clear mirrors and The Geneva Bible, revolutionary innovations of the Elizabethan age, inspired Shakespeare's drive towards a new purpose for drama. Shakespeare reversed the conventional mirror metaphor for drama, implying drama cannot reflect the substance of human nature, and developed a method of characterization, through metadrama, self-awareness and soliloquy, to project St. Paul's idea of conscience onto the Elizabethan stage. This revolutionary method of characterization, aesthetic existence beyond performance, has long been sensed but remains frustratingly uncategorized. Shakespeare's Mirrors charts the invention of a drama that staged the unstageable: St. Paul's metaphysical conception of human nature glimpsed through a looking glass darkly.
Chapters 4 and 6 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.
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Information
Table of contents
- Cover
- Half-Title
- Series
- Title
- Copyright
- Dedication
- Contents
- List of figures
- Acknowledgements
- Introduction: Shakespeareâs Mirror Metaphors
- Prologue: âMirror of All Martial Menâ
- 1 âAmorous Looking-Glassâ: The Self-Infatuation of the Regal Performer in the Early Histories
- 2 âDissembling Glass of Mineâ: Female Self-Evaluation within the Patriarchal Genre of Courtship Comedy
- 3 âThe Mirror of All Christian Kingsâ: Increasing Tension between Dramatic Action and Christian Morality
- 4 âThe Mirror up to Natureâ: Hamletâs Metaphysical Revolution in the Purpose of Playing
- 5 âGlassy Essenceâ: The Fraudulent Hypocrisy of Impious Authority
- 6 âSpacious Mirrorâ: The Epic Futility of Political Activity in a World without Redemption
- 7 âMy Glass, Mine Ownâ: Human Play and Redemption Reconciled through Speculative Faith
- Epilogue: âThrough a Glass, Darklyâ
- Cited Works
- Index