
- 308 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
This book redefines modern Indian literature from a cosmopolitan comparative perspective inclusive of literature in English from India and the diaspora, in native languages, and works by non-Indians. It shows how, since the mid-19th century, Indian literary modernity pursued the conjunction of the sensuous and ethical/spiritual that characterized its three traditions (Sanskritik, Persian, and folk culture) while the encounter, both receptive and oppositional, with "the West" vastly expanded the Indian literary sphere. Aesthetics and ethics are not antithetical in the Indian cultural space, but the quest for an exclusive Indian identity versus universalist approaches offsets concerns for social justice as well as enjoyable embodied communication. The literary constellation, in many languages, now formed in and around India can be better apprehended as a virtual Cosmopolis, a commonwealth of elaborate emotions. The versatile figure of Hanuman metaphorically flies across this Ocean of Stories to make us discover new worlds of experience.
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Information
Table of contents
- Cover
- Endorsement Page
- Half Title
- Series Page
- Title Page
- Copyright Page
- Table of Contents
- Acknowledgments
- Preface
- Introduction: Indialab and the Wild Kromosome
- Part 1 Sites of Literary Thought: Theorizing with “India.”
- Part 2 Versatile (Mis)understandings
- Part 3 Transmission, Transformation, Transgression
- Part 4 Fictional and Argumentative Aesthetics
- Part 5 Benefiting from Loss
- Postscript: Vagrant Non-endings: A Conversation with Dr. Gautam Chakrabarti
- Works Cited
- Index