
eBook - ePub
The Forger's Creed
Reinventing Art History in Early Modern China
- 240 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
About this book
The first in-depth look at the history and legacies of forgeries in Chinese art.
In 1634, scholar-official Zhang Taijie (b. ca. 1588) published a book titled A Record of Treasured Paintings (C. Baohui lu), presenting an extensive catalogue of a purportedly vast painting collection he claimed to have built. However, the entire book is Zhang's meticulously crafted forgery; he even forged paintings to match the documentation, and profited from trading them. Furthermore, the book intriguingly mirrors unfounded art-historical claims of its time. Prominent figures like Dong Qichang (1555–1636) made entirely fabricated arguments to assert legitimate lineages in Chinese art, designed to create a fictionalized history shaped by preferred beliefs rather than reality.
While presenting the first comprehensive exploration of various forgery practices in early modern China—fabricated texts, forged paintings, and fictitious art history—The Forger's Creed examines the cultural, social, and genealogical desires, anxieties, and tensions prevalent in early modern China. Through thorough scrutiny of the historical irregularities introduced by these forgeries, J. P. Park highlights a peculiar and paradoxical phenomenon wherein forgeries transform into legitimate materials across Chinese history.
In 1634, scholar-official Zhang Taijie (b. ca. 1588) published a book titled A Record of Treasured Paintings (C. Baohui lu), presenting an extensive catalogue of a purportedly vast painting collection he claimed to have built. However, the entire book is Zhang's meticulously crafted forgery; he even forged paintings to match the documentation, and profited from trading them. Furthermore, the book intriguingly mirrors unfounded art-historical claims of its time. Prominent figures like Dong Qichang (1555–1636) made entirely fabricated arguments to assert legitimate lineages in Chinese art, designed to create a fictionalized history shaped by preferred beliefs rather than reality.
While presenting the first comprehensive exploration of various forgery practices in early modern China—fabricated texts, forged paintings, and fictitious art history—The Forger's Creed examines the cultural, social, and genealogical desires, anxieties, and tensions prevalent in early modern China. Through thorough scrutiny of the historical irregularities introduced by these forgeries, J. P. Park highlights a peculiar and paradoxical phenomenon wherein forgeries transform into legitimate materials across Chinese history.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access The Forger's Creed by J. P. Park,Jong Phil Park in PDF and/or ePUB format, as well as other popular books in Art & Art & Business. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Title
- Copyright
- Dedication
- Contents
- List of Illustrations
- Author’s Note
- Acknowledgments
- Prologue: James Cahill, Art Historian and Forger
- Introduction: Zhang Taijie, the Greatest Art Collector in Chinese History?
- 1. The Literary Making of the Past: Reading History from Forged Texts
- 2. To Deceive Is to Believe: Paintings Forged
- 3. Inventing Traditions: Fabricated Art History
- Conclusion: Zhang Taijie, Dong Qichang, and the Carnival
- Glossary
- Notes
- Bibliography
- Index