
The Routledge Companion to Music, Autoethnography, and Reflexivity
- 448 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
The Routledge Companion to Music, Autoethnography, and Reflexivity
About this book
The Routledge Companion to Music, Autoethnography, and Reflexivity represents a substantial contribution to the field of writing reflexively about an individual's practice within music studies. In seven sections, 22 original chapters by a diverse set of contributors consider writing about personal activities from the points of view of performance, composition, musicology, and pedagogy, drawing on a range of traditions from Western art-music to popular music to ethnomusicology. A robust critical framework is presented, with coverage of:
- historical and critical perspectives
- different methodologies and their ascendancy within the academy
- leading debates, issues, and approaches
- future directions
The Companion cultivates new modes of engagement in music research, enabling scholars and practitioners at all levels to identify and articulate their relationship to the wider sociocultural contexts in which they operate.
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Information
Table of contents
- Cover
- Half-Title Page
- Series Page
- Title Page
- Copyright Page
- Table of Contents
- Notes on Contributors
- List of Figures
- List of Tables
- List of Appendices
- List of Audiovisuals
- 1 Music, autoethnography, and reflexivity: An introductory conversation
- Part I Instrumental performance
- Part II Vocal performance
- Part III Composition and creative practice
- Part IV Pedagogy
- Part V Cultural and contextual music studies
- Part VI Art as autoethnography
- Part VII Coda: Future considerations
- Index