The Revolution of Indian Parallel Cinema in the Global South (1968–1995)
eBook - ePub

The Revolution of Indian Parallel Cinema in the Global South (1968–1995)

From Feminism to Iconoclasm

  1. 248 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

The Revolution of Indian Parallel Cinema in the Global South (1968–1995)

From Feminism to Iconoclasm

About this book

Drawing from over a decade of research and writings, this book takes you on an epic journey through the history of Indian Parallel Cinema (1968 – 1995). India, the late 1960s. Something was in the air. A film manifesto penned by passionate cinephiles called for a new cinema. An exciting generation of iconoclastic filmmakers were on the march, the first to graduate from the newly incarnated Film and Television Institute of India, seizing the moment to forge one of the first major post-colonial film movements. What emerged was an unprecedented level of creativity, merging international influences with experimental, indigenous styles, and creating an aesthetic and thematic rupture, and that ultimately led to new ways of making films. But it is a story that has rarely been told, inextricably absent from the parochial, Euro-centric and linear histories of film. This is the story of Indian Parallel Cinema. From auteurs like Mani Kaul and John Abraham to Smita Patil and Om Puri, The Revolution of Indian Parallel Cinema in the Global South explores the origins, evolution, demise and legacy of a film movement that produced a pantheon of innovative filmmakers, in excess of two hundred films and a distinctly regional identity in which film societies, state funding and political insurgency were catalysts for a defiant, radical dialogue, much of it anti-establishment, that broke all the rules. Most importantly, this publication considers the ways in which Parallel Cinema narrated a new 'history from below', using a range of case studies that includes Uski Roti, Mirch Masala and Amma Ariyan.

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Yes, you can access The Revolution of Indian Parallel Cinema in the Global South (1968–1995) by Omar Ahmed in PDF and/or ePUB format. We have over one million books available in our catalogue for you to explore.

Information

Edition
0
Subtopic
Film & Video

Table of contents

  1. Cover
  2. Half-Title
  3. Title
  4. Contents
  5. List of Figures
  6. Acknowledgements
  7. Case Studies
  8. Preface
  9. Foreword by Shivendra Singh Dungarpur
  10. 1 Introduction: Emerging from the Shadows: The Renaissance of Indian Cinema
  11. 2 Pioneering Pathways: The Development of Parallel Cinema: The IPTA, Film Policy and Radical Bengal
  12. 3 Chronicling the Foundational Years (1968–1974): A Manifesto, Creative Experiments and Regionalism
  13. 4 The Crucible of the Emergency Era (1975–1977): Crisis, Regression and Cultural Opposition
  14. 5 Commercial Control: The High Point of Parallel Cinema (1978–1989): Consolidation, the FFC Re-born and Diversification
  15. 6 Fading Frames: The Decline of Parallel Cinema (1990–1995): Hindutva, Liberalization and Bollywood
  16. 7 Legacies (2010 and Beyond): Film Preservation, Canonizing Parallel Cinema and New Indian Independent Cinema
  17. Bibliography
  18. Filmography
  19. Abbreviations
  20. Index
  21. Copyright