
- 336 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
The most successful bandleader of the 1920s, Paul Whiteman was an entertainment icon who played a major role in the mainstreaming of jazz. Whiteman and his band premiered Gershwin's Rhapsody in Blue. Duke Ellington acknowledged his achievements. His astonishing ear for talent vaulted a who's who of artists toward prominence. But Whiteman's oversized presence eclipsed Black jazz musicians while his middlebrow music prompted later generations to jettison him from jazz history.
W. Anthony Sheppard's collection of essays confronts the racial implications of Whiteman's career. The contributors explore Whiteman's broad impact on popular culture, tracking his work and influence in American marketing, animated films, the Black press, Hollywood, and the music publication industry, and following him behind the scenes with arrangers, into grand concert halls, across the Atlantic, into the courtroom, and on television.
Multifaceted and cutting-edge, Beyond the Bandstand explores the racial politics and artistic questions surrounding a controversial figure in popular music.
Contributors: Ryan Raul Bañagale, Stephanie Doktor, John Howland, Katherine M. Leo, Sarah Caissie Provost, W. Anthony Sheppard, Catherine Tackley, Elijah Wald, and Christi Jay Wells
Frequently asked questions
- Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
- Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Information
Table of contents
- Cover
- Half-title
- Series
- Title
- Copyright
- Contents
- A Note on the Paul Whiteman Collection at Williams College
- Introduction: Naming and Placing Whiteman
- 1 Black Music, White Bodies, Paul Whitemanâs Body
- 2 Paul Whiteman, Cultural Ownership, and Jazz Historiography in Dave Peytonâs âThe Musical Bunchâ
- 3 Paul Whiteman and Modern Metropolitan Music, 1927â40
- 4 Arranging Orientalism for Whiteman
- 5 Concertized Jazz: The Divergent Motives of Whiteman (1924) and Goodman (1938)
- 6 âSymphonised Syncopationâ: Paul Whiteman in the United Kingdom and Europe in the 1920s
- 7 RCA v. Whiteman and the Case for Radio Broadcast Rights
- 8 Integration and Segregation in Whitemanâs Music Television, 1948â55
- Afterword
- Works Cited
- Contributors
- Index
- Back Cover