
- 272 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
About this book
Written by a composer long immersed in new and experimental music, this book provides a tour of the music, technologies and people that have transformed how we make, hear and think about sound over the past fifty years.
As both a participant and critical observer in the post-Cagean musical landscape, Nicolas Collins uses anecdotes and analysis to survey the history and aesthetics of the musical avant-garde. Among the topics explored are: relationships between popular culture and the avant-garde; the shifting definitions of improvisation and composition in a world where musical scores might take form as charts, drawings, words, notes written on a staff or electronic circuits; the social and aesthetic effects of analog and digital resources in the production and consumption of music; and more broadly, the nature of experimental thinking in creative pursuits.
The book follows a personal chronology of observations and experiences with music, technology, economics and culture-from youthful encounters with John Cage and Minimalism, to the Downtown and East Village scenes of the 1980s, the assimilation of avant-garde sensibilities into European concert halls and global pop, the burgeoning of sound art, and the transformative influence of digital technologies both positive and negative.
As both a participant and critical observer in the post-Cagean musical landscape, Nicolas Collins uses anecdotes and analysis to survey the history and aesthetics of the musical avant-garde. Among the topics explored are: relationships between popular culture and the avant-garde; the shifting definitions of improvisation and composition in a world where musical scores might take form as charts, drawings, words, notes written on a staff or electronic circuits; the social and aesthetic effects of analog and digital resources in the production and consumption of music; and more broadly, the nature of experimental thinking in creative pursuits.
The book follows a personal chronology of observations and experiences with music, technology, economics and culture-from youthful encounters with John Cage and Minimalism, to the Downtown and East Village scenes of the 1980s, the assimilation of avant-garde sensibilities into European concert halls and global pop, the burgeoning of sound art, and the transformative influence of digital technologies both positive and negative.
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Yes, you can access Semi-Conducting by Nicolas Collins in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Social Science Biographies. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Half-Title
- Title
- Contents
- Preface
- 1 A Hidden Switch
- 2 I Am Sitting in a Classroom
- 3 Worlds of Music
- 4 Four Ridiculously Large Speakers
- Interlude: Multitrack
- 5 Playing with Chips
- 6 The Infinite Amplification of Silence (or I Ching for Dummies)
- 7 Old Guard Avant-Garde
- 8 Newcastle to Narvik
- 9 The Eden Before the Apple
- 10 A Bright Red Electric Guitar
- Interlude: 33 1/3 RPM
- 11 Devil’s Music
- 12 Planes, Trains, and Step-Down Transformers
- 13 A Computer Walks into a Bar
- 14 We Were All Seated Around the Campfire
- Interlude: Sound Check
- 15 Still Lives
- 16 STEIM—IRCAM with a Human Face
- Interlude: Silence
- 17 Whistling in the Woods
- 18 Strange Heaven
- 19 Art School
- Interlude: How Things Work
- 20 Hardware Hacking
- 21 Salvage
- 22 The Missing Switch
- Interlude: Things I’d Like to Own
- 23 Surprise Me
- Notes
- Index
- Copyright