
Rocking St. Petersburg - Transcultural Flows and Identity Politics in Post-Soviet Popular Music
- 375 pages
- English
- PDF
- Available on iOS & Android
Rocking St. Petersburg - Transcultural Flows and Identity Politics in Post-Soviet Popular Music
About this book
In this remarkable book, David-Emil Wickstrom traces the transcultural flow of popular music production emanating from St. Petersburg, a central hub of the Russian music scene. With a specific focus on the post-Soviet emigrant community in Germany and their event `Russendisko`, Wickstrom - himself a trumpet player in two local bands - explores St. Petersburg`s vibrant music scene, which provides an electrifying platform for musical exchange. The findings shed a new light on Soviet and post-Soviet popular music history and even Russia`s relationship to Ukraine. Wickstrom demonstrates the filtering processes embedded in transcultural flows and how music is attributed new meanings within new contexts. This innovative book not only promotes a deeper understanding of the role of popular music in society, it also enables a better comprehension of cultural processes in the second decade after the fall of the Soviet Union.
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Information
Table of contents
- Contents
- List of Figures and Pictures
- List of Appendices
- Glossary
- Band, club, festival, and label names with translation
- Acknowledgements
- Foreword
- Introduction
- 1 Theory
- 2 Methodology
- 3 The St. Petersburg scene
- 4 The musical embedding of St. Petersburg
- 5 Reggae and ska in St. Petersburg
- 6 Russian perceptions of Ukraine
- 7 Popular music and ideas of the Russian nation
- 8 The Russendisko-scene
- 9 The post-Soviet emigrant community in Germany
- 10 Post-Soviet popular music in Germany
- Concluding words and outlook
- Appendix A. Short biographies of people interviewed
- Appendix B. Selected lyrics
- Appendix C. Quotes in their original language
- References