
Independence in 21st-Century Popular Music
Cases from Beyond Anglo-America
- 341 pages
- English
- PDF
- Available on iOS & Android
Independence in 21st-Century Popular Music
Cases from Beyond Anglo-America
About this book
Can music be made "independently" in the 21st century?
More than a generation of musicians, music workers, and music companies have now been operating in the context of the profound shifts in music production and dissemination in the "digital era." Scholarly focus on musical independence has often been centered on genres, like punk and indie, rooted in the US and UK. This volume, focused outside the Euro-American context, shows the variety of ways musicians, music workers and businesses manage the economic, media and cultural shifts propelled by digitalization, asking what it means now to say one is "independent." It brings together scholars from around the globe who are researching forms of music production, circulation, consumption and finance that blur the boundaries between the dominant corporate players and "independent" cultural production. With chapters detailing popular music in Argentina, Brazil, Chile, Cuba, Indonesia, Portugal, Spain and Taiwan, independence is shown to be a concept and practice simultaneously nebulous, contradictory, and practical.
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Information
Table of contents
- Cover
- Half Title
- Title
- Copyright
- Contents
- Figures
- Acknowledgments
- 1 Putting Music Independence into Perspective: An Historical and Global Overview
- Part 1 Labels, Genres, and Mediations
- Part 2 Government Funding, Self-management, and the Corporatization of Independence
- Part 3 Political Regimes, Independent Ethos, and Forms of Music Organization
- Contributors
- Index