
African American Artists Performing for the Camera After 1970
Against Transparency
- English
- ePUB (mobile friendly)
- Available on iOS & Android
African American Artists Performing for the Camera After 1970
Against Transparency
About this book
This study demonstrates how African American artists active since the 1970s have instrumentalized performance for the camera to intervene in existing representations of Black and Brown people in America and beyond.
Majewska argues that producing carefully designed photographs, films, and videos via performance became a key strategy for dismantling the conceptions of race and gender fixed by US popular culture, jurisprudence, and pseudoscience. Studying the work of Adrian Piper, Glenn Ligon, Lyle Ashton Harris, Senga Nengudi, Maren Hassinger, Howardena Pindell, David Hammons, and Pope.L, this book examines the ways in which these artists incorporate their bodies and personal experience into their respective performances, simultaneously courting and foreclosing autobiographical readings. The strategies examined here, while diverse, all challenge conventional interpretations of performance art—especially those overdetermined by race, gender, and sexuality.
The book will be of interest to scholars working in art history, performance studies, photography, and African American studies.
Frequently asked questions
- Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
- Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Information
Table of contents
- Cover Page
- Half-Title Page
- Series Page
- Title Page
- Copyright Page
- Contents
- List of Illustrations
- Acknowledgments
- Introduction
- 1 Exaggerated Features: Adrian Piper on the Limits of Performativity
- 2 The Outrageous Abstraction of Senga Nengudi's Performance Photography
- 3 Howardena Pindell's and Maren Hassinger's Subversive Video-Narcissism
- 4 Feeble Monuments: David Hammons and Pope.L Underperforming for the Camera
- Conclusion: Communication with Shadows
- Bibliography
- Index