Iberian Swordplay
eBook - ePub

Iberian Swordplay

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eBook - ePub

Iberian Swordplay

About this book

In 1599, during the period when the Portuguese crown was united to the crowns of Castile and Aragon, a Portuguese master-at-arms called Domingo Luis Godinho wrote a manuscript in Spanish entitled Arte de Esgrima (The Art of Fencing). Although Godinho's live is largely a mystery and his text was never published, today his manuscript of utmost relevance in the study of Renaissance Iberian fencing, since it is the only complete treatise discovered so far describing the "e;Common"e; or "e;Vulgar"e; style of Iberian fencing, first documented in the 15th century, but by Godinho's day, displaced by the new system of La Verdadera Destreza.The work includes instructions for the single sword, a long-bladed, cut & thrust weapon taught alone and with the use of the shield, buckler, dagger, and cape, as well as paired with a second sword. Godinho's instructions also includes the longest known text on the use of the montante, or two-handed sword, a devastating weapon that was used by soldiers and body-guards, in duels and battlefields, in crowded streets and aboard galleys. Translator Tim Rivera provides a detailed introduction that explains Godinho's relationship to earlier masters of the "e;Common School"e; of swordsmanship, and a short primer on the various weapons, guards, parries, footwork and terminology of the tradition.

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Information

eBook ISBN
9781937439361
Edition
0

Table of contents

  1. COVER PAGE
  2. TITLE PAGE
  3. COPYRIGHT PAGE
  4. TABLE OF CONTENTS
  5. FOREWORD
  6. INTRODUCTION
  7. PART ONE: SWORD ALONE
  8. PART TWO: SWORD AND SHIELD
  9. PART THREE: SWORD AND BUCKLER
  10. PART FOUR: TWO SWORDS
  11. PART FIVE: SWORD AND DAGGER
  12. PART SIX: THE TWO-HANDED SWORD
  13. PART SEVEN: SWORD AND CLOAK
  14. PART EIGHT: SELF-DEFENSE AND TRICKS
  15. PART NINE: GENERAL ADVICE
  16. PART TEN: SWORD ALONE, CONTINUED
  17. GODINHO’S NOTES
  18. APPENDIX A: PACHECO’S THIRTY “VULGAR TRETAS”
  19. APPENDIX B: GLOSSARY
  20. ENDNOTES
  21. BIBLIOGRAPHY