
- 173 pages
- English
- PDF
- Available on iOS & Android
Stanley Cavell and the Magic of Hollywood Films
About this book
One of America's most important contemporary thinkers, Stanley Cavell's remarkable film philosophy proposed that the greatest Hollywood films reflect the struggle to become who we really are â a struggle that is foregrounded in the characteristically American theory of Emersonian perfectionism. Focusing on his account of what makes Hollywood movies so magical, Dan Shaw draws on Cavell's theories to interpret a range of classic and contemporary dramas, including Mr Smith Goes to Washington (1939), Boys Don't Cry (1999) and The Hurt Locker (2008). Pairing of these analyses with discussions of Cavell's precursors, including Emerson, Nietzsche and Mill, the book explores a distinctively American philosophical foundation for the study of Hollywood film.
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Information
Table of contents
- Cover
- Half Title
- Dedication
- Title Page
- Copyright
- Contents
- 1 Introduction: Defining the MagicâWhy Stanley Cavell?
- 2 Projecting Reality
- 3 Stanley Cavell: Emersonian Individualist
- 4 Cavell on Nietzsche: The Ascetic Ideal, Eternal Recurrence, and âHigher Selfâ
- 5 Comedies of Remarriage and the Transfiguration of the Commonplace
- 6 How the Unknown Woman Finds her Voice in Contesting Tears
- 7 Cavell and Wittgenstein on Skepticism: Redeeming the Law
- 8 Heidegger, Cavell, and Woody Allen: Another Woman
- 9 Halls of Montezuma and the Utility of War
- 10 Thoreau, Civil Disobedience, and Selma
- 11 Lockean Liberalism and Mr. Smith Goes to Washington
- 12 Cavellâs Notion of Acknowledgment and Boys Donât Cry
- References
- Index